Welcome to the "Elvis Information Network", home to the best news, reviews, interviews, Elvis photos & in-depth articles about the King of Rock & Roll, Elvis Aaron Presley...
Looking onward after the excitement of Baz Luhrmann's 'EPiC' premiere - here's a treat for EIN readers
'Elvis Presley Whole Lotta Shakin' 1970-1971' New Documentary PART TWO: From super-fan Dennis Laverty, a new in-depth documentary looking at Elvis' key years of 1970-1971.
Using rare footage, fascinating interviews and 8mm fan-footage Laverty includes more than you could imagine. "This Fan-Made Documentary celebrates Elvis Presley's 90th Birthday.
In January 1970 Elvis would make his return to Las Vegas after closing in August 1969, breaking all attendance records for the city.
In this film you will go back on a ride to the years 1970-1971 and if you were a fan then you will relive those moments that made you a fan.
For newer fans you will see why Elvis is regarded as the Greatest Live Performer".
CLICK HERE- PART 2: August - December 1970 includes some of the key ingredients to Elvis' future renaissance...
Starting off with the delightful 'TTWII' rehearsal of 'Don't' and a rare Millie Kirkham interview, this detailed documentary by Dennis Laverty features plenty of highlights fans can only hope will be included in the new Baz Luhrmann 'EPiC' movie. Highlights included...
A fabulous Jerry Weintraub (tour promoter) interview about the "million dollar Elvis Presley check"
Fan-footage from Elvis' Phoenix 1970 concert.
The revelation that Elvis' St. Louis concert 10 Sept 1970 was the first Elvis show using a proper Sound-System.
An interesting interview with Herbert F Solow - MGM producer on TTWII. Norbert Putnam discusses the excitement of 'Bridge Over Troubled Water' another song with no previously agreed "Elvis Publishing"
A detailed look at Elvis' November 1970 tour including LA 'Inglewood Forum' fan-footage.
Elvis' fascination with Police Badges
Interviews with George Klein, Sonny West, J.D Sumner, Ann Moses, Joe Esposito and many more..
Plus Jerry Schilling's detailed look at the President Nixon visit...
Includes a letter to Elvis from J Edgar Hoover! -
Plus a lovely interview from Bill Morris (RIP)
How much more can you ask for??!!
Go HERE to Vimeo to watch PART 2 - runs 2 1/2 hours
- EIN Highly Recommended - (News, Source;DLaverty/ElvisInfoNet)
'Elvis & the Story of the 68 Special' (Simon Goddard): The cover artwork for this May 19, 2026 REISSUE has been released – the book was originally published in 2018. The book from Omnibus Press will contain 368 pages and be available in hardcover, softcover and Kindle formats. The book description:
.. As 1968 dawns, the once King of rock'n'roll faces cultural oblivion. While elsewhere the Sixties are swinging, for Elvis they're sinking- in terrible films, drug addiction, paranoia, religious mania and the mercenary wiles of his psychopathic manager. In the words of the hip young director assigned to his first TV special, Elvis' reputation was "in the toilet." However the same director, Steve Binder, was now about to save it. Together they would embark on the biggest creative fight of Elvis' life. The Comeback plots the incredible true story of Elvis' fall and rise from Army discharge to iconic black leather resurrection. Simon Goddard takes the reader inside the life, music and mind of Elvis, isolated from an America unravelling in its own Sixties chaos of war, racism, riots and assassinations, until his world and theirs collide in the greatest performance of his life.
A genre-busting modernist rock'n'roll fable unlike any music biography you've ever read, The Comeback is the definitive account of how it took Elvis eight years on the big screen to lose his crown - but just one magical hour on a small one to win it back.
Read EIN’s review of the original ‘high energy’ The Comeback release
EIN awaiting reissue Pre-order details (News, Source:NP/AmazonAu/EIN)
Sunday 28 September 2025
Priscilla New book publicity: Multiple media outlets have covered the recent publicity that "Priscilla Presley was gutted when daughter Lisa Marie made life-changing decision to sell EPE"
This report, to publicise her new memoir “Softly, As I Leave You”, repeats the story about Priscilla recalling her upset when Lisa Marie sold 85% of her inheritance of EPE to Bob Sillerman's CKX.
Lisa Marie had come into her inheritance in 1993 but by 2005 Priscilla writes in her book that her daughter was “broke." It was a “personal and financial” crisis that led Lisa Marie to make a life-changing decision.
Priscilla states that she was not confident Lisa Marie had been receiving “good financial advice,” but she found addressing the issue with her to be “very, very delicate.”
Lisa Marie retained the house, the grounds and Elvis' personal effects but relinquished control of “Elvis’ legacy,” which “devastated” her mother, who deemed it a “bad financial decision” since Graceland and EPE would create a stream of income.
While this was no doubt a difficult decision for Lisa Marie, EIN notes that Priscilla's new book “Softly, As I Leave You” leaves out a few pertinent facts...
In news reports at the time it was Bob Sillerman who bought Elvis' name and likeness for $114 million. Elvis' music and house was not part of the deal but the family sold 85 percent of everything else.
Priscilla said at the time that it wasn't an easy decision, "Absolutely. I mean I'm not gonna lie. It's pretty frightening when, you know, you've been a private company for all these years, where you're the boss."
But she then noted "the family business needed an investor to expand - and Sillerman is just the man to do it".
Priscilla added, "He just got it. You know there is no other company like his company."
Apart from her praise, another fact absent from the book is that "Sillerman also paid $6.5 million to Priscilla Presley" and that while "CKX didn't have to pay Priscilla anything, in doing it so would make her more agreeable to appearing at grand openings and the like".
Nor does she note the fact that she remained as EPE Chair/ consultant for 10 years at $500,000+ per annum. In fact she doesn't even mention Sillerman at all, strangely morphing ownership straight to ABG - Joel Weinshanker - which actually happened in May 2011.
Luckily EIN archives all past stories - see our 'Sale of EPE' spotlight (News, Source;People/ElvisInfoNet)
'Rockin' in Georgia' Double-Vinyl Import: The SR import record label announces the late October 2025 release of the double LP set 'Rockin' in Georgia'. The publicity states..
An ambitious project highlighting Elvis' rock side in the 1970s, we decided to begin, in our humble opinion, with the best rocking single: 'Promised Land'.
This new SR release features a first LP dedicated to an analysis of the song, tracing its development from the studio to the stage. At the same time, the second disc presents the first show of the April 1975 tour - surely one of the best of the year - recorded in Macon, Georgia, on April 24, 1975.
The glossy gatefold edition will be accompanied by a bonus 30x30 cm glossy photo. A must-have! EIN Note: Nothing previously unreleased and do fans really want a vinyl album of only seven versions of the one track 'Promised Land'?
The Macon 1975 live set has been released on the FTD'From Georgia To Florida' see EIN review See 'All The CD News 2025' for tracklist, details (News, Source;ElvisDay-By-Day;SR/EIN)
Friday 26 September 2025
'Elvis News Report October 2025': Elvis super-fan Emiel Maier presents all the recent news including...... New Elvis Movie ('EPiC') receives rave reviews, All available
information about 'EPiC' compiled, Warning & explaining fake Elvis news and videos, The death of Edward Faulkner, a fun fact about the flowers at Elvis's funeral... and so much more..
'Surviving Elvis' David Stanley new book?: Elvis' stepbrother David Stanley has previously published multiple books on his life with Elvis.
These include... My Brother Elvis: The Final Years.
Conversations with the King: The Enduring Spiritual Legacy of Elvis Presley
Life With Elvis
Raised on Rock: Growing Up at Graceland
The Elvis Encyclopedia
Stanley has now announced that he is working on yet another new book 'Surviving Elvis' to be published later this year - and fans have the option to choose the colour of the cover. EIN notes that unfortunately the picture on the cover is not Elvis but an impersonator! C'mon.....
- Also there is no new update on the announced 'One of The Boys' a "David E. Stanley film" about the stepsons life with Elvis. This was announced back in March 2025 noting ...
... - David Stanley posted that.. Billy, Myself and Ricky lived a life with our brother Elvis that fans from around the world can only dream of. We lived the history firsthand. Before Priscilla and Lisa, before all the girl friends who came and went and through ups and downs that was Elvis’s life, we stood by Elvis our beloved Brother.
Today Vernon and Elvis are gone, Ricky has passed and most of the so called Memphis Mafia are also dead.
After much consideration and much prayer Billy and I have decided to pull all our resources and memories together to do a major motion picture project.
The true and untold story of Billy, Ricky, and David Stanley "ELVIS One of The BOYS".
However EIN noted that the same project was also announced back in April 2024 after the success of the movies 'ELVIS' and 'Priscilla' as a "project is being shopped to streaming networks.... a six part mini series for every year 1972-1977"
That got nowhere so perhaps the project has stopped once again.
We await further updates...
EIN's "mini review" of Priscilla Presley's new memoir, "Softly, As I Leave You….Life After Elvis": Following its official release the hardcover edition of Priscilla’s new book has risen to #48 on Amazon's "Top 100 in Books" list and is highly ranked (top 3) in various Amazon genre lists. On September 25 it was #2 on Amazon's "Best Sellers in Actor & Entertainer Biographies" list, held from the top spot by Charlie Sheen's "The Book of Sheen".
Not surprisingly, the book includes a lot of information not in Priscilla's original 1985 memoir, "Elvis and Me".
This includes her post 1985 film and TV career, her son Navarone, both the Baz Luhrmann film, "ELVIS", and the Sophia Coppola film, "Priscilla", Lisa Marie inheriting "Graceland", Lisa Marie's marriages, and poignant accounts of the deaths of Lisa Marie and her son Benjamin.
The narrative flows between highs and lows and fun and heartache.
The book contains a significant amount of content about Lisa Marie and about Navarone (it is obvious how close Priscilla is to her son)!
While Priscilla spent 22 years in a relationship with Marco Garibaldi (father of Navarone), you wouldn't know it reading this memoir. Marco is barely mentioned.
Priscilla doesn't hold back on her view that "Michael (Jackson) was a manipulative man".
Other accounts involve a "scary" Church of Scientology, the always impressive Leslie Nielsen, and (at one point) a "naked" Michael Edwards - the controversial Edwards and Lisa Marie issue is also addressed.
Priscilla's references to "Riley and her husband" come across (to EIN anyway) as impersonal and there is no discussion of the legal case involving Priscilla and Riley. These, together with the "absence" of Marco Garibaldi, unbalance the narrative.
Various chapter titles, taken from both the Elvis Presley and Lisa Marie Presley songbooks, reflect themes in the book, including "Separate Ways", "Suspicious Minds", "Don't Be Cruel", "Memories", "Storm and Grace" and "Lights Out" (this chapter being about Lisa Marie's passing).
The book is an easy and entertaining (at times sad) read but nothing in it is likely to assuage the views of those with a dislike for Priscilla Presley.
It also features many rare "family" photographs.
Crickets' Sonny Curtis had died aged 88: Sonny Curtis, vintage rock ‘n’ roller and composer has died at 88.
Sonny Curtis composed classics hit songs including Everly's 'Walk Right Back', 'I Fought the Law' and the theme for the Mary Tyler Moore show, 'Love Is All Around'.
Curtis died from pneumonia in Nashville hospital, Sept 19 2025.
Curtis was friends with Buddy Holly and performed with his band, the Crickets, both before and after the legendary singer’s death.
He met Buddy Holly and by age 15 had formed an earlier group with him and they opened for such legends as Elvis Presley, Johnny Cash and Carl Perkins.
Curtis left to tour with Slim Whitman before rejoining Holly and his band The Crickets in 1958, shortly before Holly’s death in a plane crash in February of 1959.
Curtis was drafted into the Army in 1959 and wrote 'Walk Right Back' while in basic training. During a three-day pass he played it for Crickets' Jerry Allison who by then was playing drums for the Everly Brothers. It would become a number One smash.
Curtis was just 14 when he met a young Buddy Holly in nearby Lubbock.
The two became fast friends, bonded by their love of music and would listen to Shreveport, Louisiana radio to hear some of the R'n'B voices that would shape rock 'n' roll.
Curtis explained.."We heard, Big Mama Thornton and Lonnie Johnson, and Lead Belly, Little Richard, Ray Charles, you name it. The little-known Elvis Presley came to Lubbock and I mean, the girls were goin' nuts, man. And that really got our attention. All a sudden, we thought, this not only involves music, this involves pretty girls!
Buddy and Sonny's band was an opening act for Elvis in1956. "Well, I guess we were right there sort of at the beginning of rock 'n' roll. Backstage Elvis was just an old boy. We started imitating Elvis. The next day, after Elvis left town we got his records and the next night we were booking out, doing those songs including Baby, Let's Play House, Good Rockin' Tonight..
Our bass player at the time, Don Guess, could play that Bill Black style real well and I was a big Chet Atkins fan and as you know, Scotty Moore's style was a little like Chet's so I adapted very easily to Scotty's style.
We got a record deal with Decca and that's where we made those first records, here in Nashville.
I left the group because we weren't really making it. I went on the road with Slim Whitman and that's when Buddy got Jerry Allison and Joe B. Mauldin and they went over to Clovis, New Mexico."
Curtis settled in Nashville in the mid-1970s and was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007.
Five years later, he and the Crickets were inducted into the Rock Hall of Fame, praised as “the blueprint for rock and roll bands that inspired thousands of kids to start up garage bands around the world.” (News, Source;Various,ElvisInfoNet)
Woman gets 4 years for Graceland Scam: Missouri woman Lisa Jeanine Findley who tried to use a fake company to sell off Graceland for millions of dollars last year in a brazen and unrealistic scam has been sentenced to more than four years in US federal prison.
US District Judge John T. Fowlkes Jr. questioned the likelihood of the plot’s success when he sentenced Lisa Jeanine Findley in federal court in Memphis to four years and nine months behind bars, plus an additional three years of probation.
Findley, 54, declined to speak on her own behalf during the hearing.
Findley pleaded guilty in February to a charge of mail fraud related to the scheme where she falsely claimed Lisa Marie had borrowed $3.8 million from a bogus private
lender and had pledged Graceland as collateral for the loan before her death in January 2023.
She then threatened to sell Graceland to the highest bidder if Presley’s family didn’t pay a $2.85 million settlement, according to authorities.
Findley posed as three different people allegedly involved with the fake lender, fabricated loan documents and published a fraudulent foreclosure notice in a Memphis newspaper announcing the auction of Graceland in May 2024, prosecutors said.
Findley had posed as fictitious 'Naussany Investments & Private Lending' so the fraudulent investment company was then sued by Presley's family in the Tennessee state court to stop the auction in May 2024.
Riley Keough, Elvis' granddaughter, who is the heir to Graceland, in court doecumantes called “the note and deed of trust are fraudulent and unenforceable."
Experts were baffled by the attempt to sell off one of the most famous pieces of real estate in the country using names, emails and documents that were quickly suspected to be phony.
After the scheme fell apart, Findley, who has a criminal history that includes attempts at passing bad checks, tried to make it look like the person responsible was a Nigerian identity thief, prosecutors said.
In arguing for a lesser sentence, defense attorney Tyrone Paylor noted that Presley’s estate did not suffer any loss of money and countered the prosecution’s stance that the scheme was executed in a sophisticated manner.
Judge Fowlkes however said it would have been a “travesty of justice” if the sale had been completed. (News, Source;Various/EIN)
Monday 22 September 2025
'The Sun Singles of Elvis' - Warren Schubert Interview: Elvis specialist Warren Schubert is publishing his new book via Memphis Mansion - 'The Sun Singles of Elvis – An Illustrated Guide'.
The publicity includes..
... This book reveals all the secrets behind Elvis’ most iconic records: the legendary five Sun singles!
How many variations of Elvis’ legendary Sun 209 actually exist? Which came first, and why is this important to collectors?
For the first time, you can discover the true story behind the mysterious “Push Marks”..
This comprehensive guide finally reveals what collectors have been trying to decipher for decades.
It includes hundreds of high-resolution photographs showing all known variations and expert analysis that separates myth from fact.
Plus previously unpublished insights into Sun Records’ production methods.
EIN wanted to know more, and author Warren Schubert was kind enough to take time out to discuss his fascinating new book.. Go here as EIN's Piers Beagley asks the questions... ( Interview, Source;ElvisInformationNetwork)
'From Elvis In Memphis' 'NAD' SONY Vinyl: UK's 'National Album Day' celebrates for its eighth year on October 18 2025 with a list of exclusive albums which this year is themed around rock music.
Now in its eighth edition since being launched in association with BBC Radio 2 National Album Day (NAD) celebrates the ‘art of the album’ and artists being able to tell their authentic stories through a much-loved format that has seen its sales on vinyl rise by a combined 3163% over the past 17 years.
A breadth of collectible classic and contemporary recordings by a diverse range of rock artists, many presented in limited edition coloured vinyl, are being released.
Legendary icons are present in the form of Elvis Presley'From Elvis in Memphis', Lou Reed's Transformer, Jimi Hendrix's Axis: Bold As Love, and The Rolling Stones’ Their Satanic Majesties Request.
Sony Music are releasing a special edition of 'From Elvis In Memphis' in 'Blood Mary' Vinyl.
Check UK record stores or get it at Amazon UK (News, Source;ElvisInfoNet)
Luhrmann bringing ‘EPiC' to Australia?: Australian director Baz Luhrmann’s continues his obsession with the King of Rock-n-Roll with his new film 'EPiC'. Rolling Stone suggests that Baz Luhrmann’s new Elvis concert film could be making its way to Australia soon. 'EPiC' recently premiered at the Toronto International Film Festival (TIFF) and features a wealth of never-before-seen footage. “The movie is a revelation, because for 96 minutes it shows you just how intoxicating Elvis Presley was when he began to perform live in Las Vegas in 1969 and the early ’70s.”
Luhrmann originally planned to incorporate the footage of this Elvis era into the Austin Butler-starring 2022 film 'ELVIS', but ultimately decided against it.
At the time, he discovered 68 boxes of 35mm and 16mm footage in the Warner Bros. archives, including vast outtakes from the Elvis: That’s the Way It Is and Elvis on Tour as well as audiotapes of unheard interviews.
Much of the footage was silent and it all needed to be synced up with audio tapes a process that took two years. Working alongside editor Jonathan Redmond, Luhrmann managed to fashion an exquisite concert film out of these raw materials.
Following its premiere at TIFF 2025, Luhrmann teased the possibility of 'EPiC' coming to his home country.
While release plans are still being decided, Luhrmann has promised an event screening in Australia, perhaps at the IMAX theatre in Sydney.
Luhrmann told Variety AU/NZ , “I always try and do something different and I do believe this film needs to have an event component to its release. I make films that are audience participatory. I didn’t come this far to have someone watch it in an iPhone on their way to work.”
Elsewhere in the same interview, Luhrmann praised Elvis, the performer and the man. “That voice, no matter what condition Elvis is in, is never out of tune and he is always spiritual.” I thought they would applaud but I didn’t realise the chain effect. The audience were reacting to him onscreen as if he was actually alive.” (News, Source;RS/EIN)
Sunday 21 September 2025
Denmark 'Elvis Presley Weekend' October 2025: Memphis Mansion in Randers, Denmark is hosting their annual 3-day Elvis Presley Weekend, October 3 - 5.
.. It’s time once again to celebrate the King in true Memphis Mansion style. This special weekend is all about Elvis – his music, his spirit and the joy he continues to bring to fans around the world.
It’s also about being together: meeting old friends, making new ones and sharing unforgettable moments in Elvis’ name.
The exciting programme is filled with live shows, lectures and surprises that will make you feel the magic of Elvis like never before.
Includes special performances by Jamie A. Kelly (US) plus special guests Pat West, Warren Schubert (Sun specialist), RDM producer Anthony Stuchbury, author Julie Yeardye and Maarten Jansen.
The event includes meals, entertainment and Elvis Elvis Elvis.
“The King of Rock and Roll 2025 Advent Calendar” - Buyer Beware - potential scam!: With Christmas fast approaching this interesting-whacky Elvis product is appearing on a number of social media sites including Facebook. EIN recommends buyers beware!
Various consumer trust-scam sites rate the seller lowly (suspect).
Also, when EIN clicked through on the seller's site our attempt to get to "Checkout" was blocked by our antivirus-malware program, with the site marked as "dangerous". DO NOT CLICK unless you have good firewalls and Anti-Virus software in place.
This Community Service Announcement is brought to you by 'EIN' who also first revealed the 'Jerry Schilling' book SCAM!
(News, Source: EIN) - You can trust EIN!
Priscilla on 'People' front cover: The publicity to support the launch of Priscilla's new book 'Softly, as I Leave You: Life After Elvis' is ramping up.
The USA 'People' has Priscilla on the front cover noting ..
In her new memoir 'Softly, as I Leave You: Life After Elvis' - out on Sept 23 - Priscilla Presley recalls the heartbreaking moment she decided to take daughter Lisa Marie off life support
Priscilla was by Lisa Marie's side when she died in the hospital at age 54 in 2023, from a small bowel obstruction that developed after a bariatric surgery
Two years after Lisa Marie's death, Priscilla tells People the loss is "still" hard on her and the whole family.
Not only does she recount her daughter Lisa Marie’s final moments but she also opens up about grieving for her grandson, Lisa Marie and Danny's son Benjamin Keough, after his death by suicide at age 27 in 2020 and helping her 38-year-old son Navarone (whom she shares with ex Marco Garibaldi) get clean from drug addiction.
“It hasn’t been easy at all,” Priscilla says. “But you have to find strength.”
She also confirms that granddaughter Riley Keough and husband Ben Smith-Petersen's now have a second child, born earlier this year, as well as their daughter Tupelo who is now 3. So Elvis would have another Great-Grandchild if he was still alive
Check out your newsagents (News, Source;People/EIN)
Friday 19 September 2025
Actor Edward Faulkner has Died: Character actor Edward Faulkner who appeared in both Elvis movies G.I. Blues and Tickle Me has died aged 93.
Faulkner was probably most famous for his roles with John Wayne in McLintock! (1963), The Green Berets (68), Rio Lobo (70) and Chisum (1970).
A tall 6-foot-3, the amiable Kentucky native also appeared in TV Westerns such as Have Gun - Will Travel, Gunsmoke, Rawhide and The Virginian.
He made his movie debut in G.I. Blues with a larger role as fitness instructor Brad Bentley in Tickle Me.
He passed away age 93 on August 26 but the news was only announced this month.
Edward Faulkner appeared at Elvis Week in 2008 - (see EIN 2008 Elvis Week Spotlight)
Faulkner explained... "I had a very small part in GI Blues. Being two southern boys we had a very nice relationship. Elvis and John Wayne had a lot in common - both were very easy to work with and I never saw either of them on set with a script.
The fight scenes we did were professionally choreographed. Elvis and I staged one fight. We rehearse it a couple of times, we basically did the whole thing in one day. He made you feel extremely comfortable. thing in one day. He made you feel extremely comfortable.
Every event I do, it warms my heart to see people going back to these honest films as opposed to what is being shown these days. It’s amazing how many young people have found Elvis.
The last time I saw Elvis he was rehearsing a later movie. When he saw me he came right off the set, the set closed down and he talked with me for 20 minutes." (News, Source;ElvisInfoNet)
New FTD Releases OUT NOW: FTD's two new releases'The Last Tours 1977 Vol.3' and 'Harem Holiday' special double-vinyl set have arrived at European dealers. 'Elvis: The Last Tours Vol. 3' is a 3-CD 5” digipak featuring six shows from Elvis' third tour of 1977.
The six concerts included Toledo University, Ann Arbor, Kalamazoo, Milwaukee, Duluth and St. Paul. 'Harem Holiday' special double-vinyl is a "unique companion edition" based on the British 'red dot' RCA version. Includes all the masters and 'Best of' outtakes...
Graceland Holiday Lighting Weekend 2025: EPE suggests.. visit Memphis November 20–22 for Graceland’s Annual Holiday Lighting Weekend!
The festivities kick off on November 20 as the mansion comes alive with dazzling Christmas lights, followed by two incredible days and nights of music and events.
Enjoy nighttime concerts at the Graceland Soundstage, including A Rockin’ Memphis Christmas on November 21 and Dean Z’s Ultimate Elvis Christmas Show on November 22.
Daytime events at the Guest House Theater feature - By Request: Dueling Pianos with Terry Mike Jeffrey & Scot Durham and 'Elvis 101' with Angie Marchese, VP of Graceland Archives.
As a special bonus, package holders will experience an exclusive nighttime tour of Graceland, beautifully decorated for the holidays.
It’s a magical weekend of lights, music, and memories you won’t want to miss!
Go here to EPE for tickets and info (News, Source;EPE/EIN)
Australia Parkes Elvis Festival 2026: More Elvis fans attend Australia's ELVIS birthday celebrations than at Graceland in Memphis!
The rhinestones are ready and the jumpsuits are pressed, because the 2026 Parkes Elvis Festival was officially launched today.
This year’s theme, Love Me Tender, sets the tone as Parkes transforms into a Rock ’n’ Roll haven from 7–11 January 2026.
The program promises an exciting mix of events across five unforgettable days, including: International Feature Artists concerts - This year's feature artists include Jay Dupuis plus UK-artist Louis Brown. The Ultimate Elvis Tribute Artist Contest Elvis Street Parade The romantic Renewal of Vows Ceremony The glamorous Miss Priscilla Competition
... and much, much more!
You can check out the official program online.
Tickets for the official Sydney > Parkes NSW Elvis Express train are now on sale and they sell faster than a blue suede shoe on the dancefloor.
Departs: 7 January 2026 8.30am from Sydney Central.
Returns: Monday, 12 January 2026 9am from Parkes.
See Parkes Elvis Festival website for bookings & info (News, Source;Parkes/ElvisInfoNet)
Tuesday 16 September 2025
'EPiC' IMAX brings Elvis back to life: A neat summary of seeing Baz Luhrmann's 'EPiC: Elvis Presley in Concert' in big screen IMAX. ...
Danielle Solzman's review included...
.. Think you’ve seen every angle of Elvis Presley on screen? Think again. Unearthing rare, previously unseen footage, Luhrmann spent two years remastering and restoring the material for a fresh cinematic experience. Larger than life on IMAX the result is a dazzling return of Elvis to the big screen, presented as never before, blending intimate moments with iconic performances. IMAX is how the film should be seen. The only drawback? You can’t get up and dance or sing along!
But the energy of the music fills the theater, and there’s nothing quite like experiencing Elvis Presley on the big screen in this immersive way. I was there purely for the musical experience, and my G-d, it delivers.
The film transforms archival footage into a living, breathing tribute, combining classic hits with rare and previously unseen performances. 'Get Back's Peter Jackson’s influence on restoration and post-production work is evident as Park Road Post Production meticulously cleaned and restored 8mm, 16mm, and 35mm footage, bringing archival material to life in unprecedented clarity.
Key sequences come from six nights of Elvis’s TTWII 1970 Las Vegas residency, alongside material from his 1972 summer tour.
Together, these performances capture Elvis at the peak of his career, as well as during a period of reinvention following the 1968 Comeback Special.
But 'EPiC' goes beyond just concerts: previously unheard audio of Elvis discussing his life and music is woven throughout the film, creating a dreamscape presentation.
And bringing 'EPiC' to the screen was not just a matter of cleaning film. The team also uncovered numerous 16-track audio recordings, which had to be meticulously synced to match the visuals. This involved lip-reading and assistance from Warner Bros.
Everything was edited under the steady hand of Baz Luhrmann’s longtime collaborator, Jonathan Redmond. The result is a seamless fusion of image and sound, where every note, every gesture, and every glance of Elvis is amplified for the big screen.
Musically it is a feast. Over 70 songs appear in the film, spanning Vegas shows, tours, rehearsals, and classic recordings. EPiC: Elvis Presley in Concert is less about biography and more about the music, the performance, and the magic of Elvis Presley. Every restored frame, every note, every cover feels like a gift to fans old and new.
It’s a celebration of the King’s artistry, captured in a way that only IMAX can fully deliver - and it’s nothing short of spectacular.
If you are in a position to see this on the big screen, you will not regret it.
- - - (go here to 'solzyatthemovies' for the full review. (News, Source;DS/ElvisInfoNet)
Elvis Before Graceland (Adrian Keller): Initially published in 2018 as a 247-page hard and softcover, this book will be released as a Kindle edition on September 17.
EIN confirms that it is an enjoyable and lively read and is described as: "The last man to hire Elvis Presley as an hourly employee was James Tipler.
James and his wife, Gladys, owned Crown Electric, an electrical wholesale company where Elvis drove a truck for about nine months. Elvis’ time at Crown was not just crucial for his future career, but it showed the King was all-business long before he became “Elvis”.
Tipler observed Elvis on a regular basis and he shared his views with the current author. His description of Elvis is a unique window in the regular life of the one that would become the King of Rock and Roll.
Tipler’s views were those of a mild but active man with a no-nonsense attitude. This allowed him to observe life objectively and his experience with Elvis was unique in more senses than one.
This is that experience, as told by Tipler."
'Vintage Rock Mag 77': The new Oct/Nov issue of Vintage Rock is here, and they’re turning back the clock to 1955 – the year that ignited the rock’n’roll revolution. This was the year that saw electrifying sounds and rebellious attitudes converge, forever changing the landscape of music and youth culture.
The latest issue is a celebration of this transformative “Year Zero”, packed with stories about the legends who laid the foundation for everything that followed. -1955: Rock’n’Roll’s Year Zero – The cover story on the transformative year that launched Elvis Presley, Chuck Berry, LaVern Baker, and many more.
An interesting article on the importance of DJ Alan Freed.
Also a 10-page excerpt from the up-coming book 'Before Elvis' featuring Junior Parker's Mystery Train.
- Remembering the Legends – Tributes to the timeless talents of Connie Francis and Matchbox’s Graham Fenton, and revisit the career of Billy Fury.
- Beyond the Classics – Discover features on Etta James, Bo Diddley, plus our ranking of the Top 20 crime-inspired songs.
Always a good read check out Vintage Rock - or your local newsagents
(News, Source:VR/EIN)
Elvis Presley & the Memphis Mafia: 1,000 Trivia Questions on The King’s Life, Music, Movies, and Legacy (Horsecreek Digital): Everything about this new release suggests AI, from its cover design, author/source, to its book description. The only thing potentially challenging my assumption is that it contains 324 pages which is two hundred pages more than most AI generated books. It is available in both softcover and Kindle formats and is described as:
....Step into the glittering, dramatic, and unforgettable world of Elvis Presley and the Memphis Mafia. This ultimate trivia collection features 1,000 multiple-choice questions across 10 themed categories that explore Elvis’s life, music, movies, scandals, and lasting cultural impact.
Inside, you’ll discover:
🎤 Elvis’s early days in Memphis and his meteoric rise to fame
🎬 His Hollywood movie career and iconic performances
🎸 The music legacy that defined rock ’n’ roll history
🎲 The highs and lows of Las Vegas concerts and wild tours
🏠 Life at Graceland and stories of the Memphis Mafia
⚡ Controversies, health struggles, and myths surrounding his death Whether you’re preparing for trivia night, planning a fan club event, or just want to test how well you really know the King, this book is packed with fascinating facts, shocking revelations, and legendary moments. EIN NOTE: At the 1945 Tupelo Fair Elvis sang 'Old Shep' and is believed to have come fifth. In this book they get the answer wrong! (News, Source;NigelPatterson/EIN)
'EPiC' ELVIS Success: After its massive success at the Toronto Film Festival, Baz Luhrmann's new 'EPiC' ELVIS movie moves to the Zurich Film Festival in the 'Sounds' section "a carefully curated selection of feature films and documentaries in which music plays a central role".
The Zurich Film Festival is from September 25 to Oct 5, 2025.
Baz Luhrmann recently posted..
.."Thank you Toronto for the love and support for EPiC 🥹🧡
The demand for tickets so far has been incredible, 4 sold out screenings!
Because of you, the TIFF fans, TIFF has added an additional IMAX screening… EPiC will be back bringing Elvis to the big screen once again!"
New Book 'The Sun Singles of Elvis – An Illustrated Guide': From 'Memphis Mansion' a new book by Warren Schubert.
The publicity notes..
... This book reveals all the secrets behind Elvis’ most iconic records: the legendary five Sun singles!
How many variations of Elvis’ legendary Sun 209 actually exist? Which came first, and why is this important to collectors?
For the first time, you can discover the true story behind the mysterious “Push Marks” – what they really are and the fascinating production secrets behind their creation.
Have you ever wondered about the cryptic marks and texts scattered across the labels?
This comprehensive guide finally reveals what collectors have been trying to decipher for decades.
This definitive book answers all your questions and includes:
Hundreds of high-resolution photographs showing all known variations.
Expert analysis that separates myth from fact.
Essential knowledge for serious collectors and Elvis enthusiasts.
Previously unpublished insights into Sun Records’ production methods.
Whether you are an experienced collector or a passionate fan, this is the ultimate reference guide you have been waiting for.
See 'Memphis Mansion' to pre-order and more details. Out in October (News, Source;MM/WS)
'King Creole: The Disputed Territories of 1950s American Youth Culture' (Anthony Thomas McKenna): This is an upcoming academic release from Routledge (due out late December in hardcover and Kindle formats).
The promotional blurb: "The author argues that King Creole's release during the death throes of rock and roll in America helps to position it as an outlier among youth films of the time in three distinct ways.
First, the author demonstrates how the post-rock and roll release of the film allowed for a better harnessing of the star's 'Elvisness.'
Second, the author conducts an extensive examination of the film's production records, which show how the film's portrait of youth alienation and delinquency pre-dated America's big screen fixation on these topics, making the film not wholly bound by concurrent youth conventions.
Third, the author challenges the dominant reading of the film as being about intergenerational conflict and asserts that it is about shared grief.
This nuanced approach distinguishes King Creole from other 1950s youth-oriented films and explains its enduring critical acclaim despite commercial underperformance.
"Rich on archival research and textual analysis King Creole: The Disputed Territories of 1950s American Youth Culture will interest both film studies scholars and students. Beyond film studies, this interdisciplinary text is valuable for scholars and students of popular music, American pop culture, celebrity studies, and social history."
See AmazonUSAHardback / Kindle < - - >
AmazonUKHardback / Kindle (News, Source;NP/Amazon/EIN)
'Elvis: The Man & His Music' #149: EIN's favourite Elvis music magazine 'Elvis: The Man & His Music' September 2025 issue is out now.
Articles include..
- Back To The Summer Of ’61 (photo feature)
- The ‘Change Of Habit’ Rage Reduction Scene - by Bill Bram
- Elvis And Fats Domino
- Twenty Years Apart - Washington Post reviews 1956-1976
- Readers’ Letters
- CD, Blu-ray and Book Reviews including 'The Colonel and The King'
New FTD Releases Delayed: FTD have informed dealers that their two new releases, 'The Last Tours 1977 Vol.3' and 'Harem Holiday' special double-vinyl set are delayed.
They should be out towards the end of this month. 'Elvis: The Last Tours Vol. 3' is a 3-CD 5” digipak featuring six shows from Elvis' third tour of 1977.
The six concerts included Toledo University, Ann Arbor, Kalamazoo, Milwaukee, Duluth and St. Paul. 'Harem Holiday' special double-vinyl is a "unique companion edition" based on the British 'red dot' RCA version.
Interview with Baz Luhrmann about ‘EPiC: Elvis Presley in Concert’: The Ankler’s (Hollywood’s insider newsletter) presents a 17 minute interview with ‘EPiC' director Baz Luhrmann.
In a great discussion Luhrmann talks about the excitement of the premiere, how he decided to let Elvis tell his own story, working with Peter Jackson on the audio, the wonder of Elvis' vocal, the IMAX version, and how several platforms are interested in distributing the movie. It's a delightful interview.
(News, Source; Ankler/ ElvisInfoNet)
'EPiC' review and TIFF after-party with Paul Sweeney: Elvis super-fan Paul Sweeney talks with EAP Society Jamie Kelley and John Michael Heath, about his experience of being at the TIFF 'EPiC' premiere and after-party.
He talks about meeting both Baz Luhrmann and editor Jonathan Redmond - and possible future projects.
He mentions exciting new highlights such as the gospel round the piano ‘Nearer My God To Thee’, the incredible ‘Oh Happy Day’, never before seen ‘Runaway’ in rehearsal, and the brilliant updated quality of the ‘On Tour’ material.
Interestingly the IMAX version has also been shown.
Some companies are already talking with Baz Luhrmann about distribution deals – but obviously nothing has been decided yet.
And Luhrmann may do more since Elvis is “in his blood” and he mentions that he has the complete Hampton Roads performance on film.
The discussion runs over two hours but is well-worth watching. (News, Source;EAP Society)
Major Elvis world identity selling part of his collection starting with "Elvis and Kathy" (Kathy Westmoreland): One of the Elvis world's most respected and well known names is Gordon Minto.
Gordon, together with John Townson, is responsible for the highly successful series of "Elvis UK" discography books.
Gordon has decided to downsize his vast Elvis collection and is offering up a number of rare Elvis related items on eBay.
Currently, one of these is a copy of Kathy Westmoreland's long out of print hardcover, "Elvis and Kathy". In recent years, many copies of this book have sold for hundreds of dollars but Gordon has listed it with a very reasonable starting price (note: strong bidding has already pushed the sale price higher).
The listing closes on September 19!
View the Ebay listing (and save the 'seller link' for easy sourcing of future listings by Gordon)
(News, Source: NP/EIN)
New “The Department of Truth” comic with three-part “secret history of Elvis” story: On September 24, Image Comics is releasing “The Department of Truth #0”.
It is described as:
.. “The Department of Truth” celebrates its 5th Anniversary with an Extra-length #0 Issue! A new day has dawned at the Department of Truth. Lee Harvey Oswald and his ruthless new recruits are ready to do whatever it takes to make the agency great again.
Don’t miss this critical turning point in the Eisner-nominated series! And, for the first time ever, in addition to James Tynion IV (author) and Martin Simmonds (Cover art, artist) DoT welcomes celebrated guest writer SCOTT SNYDER (Absolute Batman) and acclaimed artist JOSHUA HIXSON (The Deviant) to tell the secret history of Elvis in the first of a three-part back-up story!
Check out EIN's Nigel Patterson interview about 'Elvis Hero of the Comic Books' the first book to showcase Elvis' impact
in comic books, graphic biographies, graphic novels, comic strips and
caricatures....
(News, Source: Amazon Au/NP/EIN)
Tuesday 9 September 2025
“EPiC: Elvis Presley in Concert” More great reviews: The great publicity for Baz Luhrmann's new film 'EPiC: Elvis Presley in Concert' continues with very positive reviews.
On the 'NextBestPicture' movie website it gets 9/10
The review includes...
...During his era Elvis was a hero to most, but he never meant much to many from the generations born after The Beatles. When rock music shifted to writer/performers it was those following on from Beatlemania and the Woodstock-era that shaped for decades this mode of popular music. Yet following his famous ’68 “comeback” special, and the storied residence in Las Vegas, Elvis thrilled fans with his high energy antics, seductive stylings, and sweaty jumpsuits. Baz Luhrmann, along with his long-time collaborator and editor Jonathan Redmond, have crafted an absolutely sublime celebration of Elvis at his rhinestone-festooned, TCB gold sunglasses late stage in his career. Drawing from over 60 hours of concert footage dug out from an archive buried deep in a mountain, the so-called King has never looked more royal.
Elvis was always an interpreter of songs rather than a craftsperson, emerging from an era where the pros wrote the songs and the legends took to center stage to perform. This is how the likes of more contemporary tunes like Paul Simon’s “Bridge Over Troubled Water” composition are allowed to shine in a slightly oleaginous but nonetheless genuine, prayerful take by Presley. Classic tunes and torch songs are performed
throughout, and an electric “Suspicious Minds” displays the man’s almost manic energy, giving his all to make his audiences enthralled.
Luhrmann’s earlier 2022 contribution to revitalizing Elvis’ stature in popular culture did wonders in displaying the man’s charisma, and there are times where one is reminded about just how exceptional Austin Butler was in “ELVIS” when wearing the pantsuits. Even an actor with the physical gifts of Butler pales in comparison to the electric, almost feline beauty of young Presley. With the restored footage, his smile, glinting eyes framed by long eyelashes, and swagger provide an amplified view of why so many fell so hard for the very spectacle of the man when seen on person, on TV, or on the big screen.
Yet the most powerful thing that “EPiC” does is exposing the pure musicianship of the man. Backstage moments where the band is working up arrangements are truly exceptional, as we witness the monster players re-craft the songs under Presley’s active contribution. We’re witness to several miscues and goofs, all in the process of rehearsing for perfection, and these moments both humanize the man and also speak to his far more sophisticated musical mind than many may attribute. Similarly, Luhrmann and Redmond have gone to great lengths to ensure that this is Elvis himself telling Elvis’ story. Audio recordings of the man, often unguarded and
self-critical, are interspersed with the same level of editorial skill as the many musical sequences. The result is an intimate portrait unlike any other, providing a perfect introduction for those unaware of anything save the broad strokes of the man’s career, but equally providing many in depth ruminations (capped with extremely clever visual pairings) to evoke the triumphs and travails of the man’s time on Earth, which will surprise even the most die hard fans.
The project could have simply been a restoration of the two concert films that make up the bulk of the footage but Luhrmann and Redmond have amplified the footage into something far more extraordinary than “merely” the amazing concert performances. “EPiC” dives as deeply into the man behind the stage as it does to the one prancing in front of the crowds, and it’s this magical combination that makes this easily one of the most thrilling, extraordinary musical films of this era. People were cheering between songs and dancing in the aisles during the premiere and to see this on the big screen makes for something as close to being at the residency as is possible a half century later.
Certain to energize longtime fans and generate new ones for generations to come, “EPiC: Elvis Presley in Concert” is a masterwork of montage. It’s a definitive doc that gives the sense of how the artist changed popular music, but also about how at his core he was a man with a powerful voice and a zealous need to entertain. The King is dead, it’s true. But thanks to Baz and his team, the King is allowed to live long into the future, his crown burnished to shine just as brightly for years to come.
- - - Oscar Prospects- Best Documentary Feature - Final Score 9/10
The New York Post review included...
...For those who do not have a room in the house devoted to Elvis memorabilia, or care a lick about the guy, 'EPiC' is still an energizing experience. If you’re on the fence now, you’ll walk away believing Elvis was, indeed, one of the greats.
His soulfulness, funny improvised banter, full-mouthed makeouts with pretty fans and his rock-solid pipes are all on glorious display. And fascinating behind-the-scenes rehearsal footage shows how surprisingly smart and musically agile Elvis could be. There is an indescribable magic in watching the star conjure a crowd’s hysteria. And because the video is so crystal clear and crisp, his aura bursts through the screen as if it’s a window.
In this stage of his career, Luhrmann keeps doing right by The King. His Best Picture-nominated “ELVIS” starring Austin Butler, did a vital service to the legacy of Presley, who’d been unfairly turned into a paunchy punchline since his death. That sexy, galvanizing film reminded older generations, and educated younger ones, that Elvis was a controversial, culture-shaking, barrier-busting, rabble-rousing, singular musical force.
Epic is the word. And “EPiC” has done so again. .... 'Spin' Music magazine included
.. Baz Luhrmann’s EPiC: Elvis Presley in Concert, needs a subtitle, like “Why Elvis Was The King.”
The Elvis busts, Elvis impersonators, velvet Elvis, Elvis weddings,
and how he died at age 42, has overshadowed a simple indisputable fact: Elvis was one-of-a-kind, extraordinarily handsome, cool, charismatic, funny, and an amazing singer, arranger and song interpreter from gospels to the Beatles and Simon & Garfunkel. No Elvis impersonator, not even Austin Butler, comes close. Sorry. 'EPiC' is that reminder.
The film proved so electrifying in places, the audience erupted into applause and some even stood up and danced.
Luhrmann is clearly on a mission to replace our image of the hokey Elvis with the reason he became such an icon: magnetism and musicianship.
- - - See full reviews here >> N-B-P / NewYorkPost / SPIN (News, Source;Various/ElvisInfoNet)
Upcoming "German text" ETA release - 'Living Elvis: Ein Leben für den King' (Nils Strassburg): This 276-page softcover (what a terrific cover image) from Molina GmbH is due out on October 15.
The (translated) book description:
... “Living Elvis: Ein Leben für den King (Living Elvis: A Life for the King): Icons don't die, they just fade. Unless they have fans who adore them. The Elvis community knows: The King lives! Nils Strassburg is their priest. This is the book of a passion.
Nils Strassburg shares it with millions of other people: Elvis Presley. Warner Music has named him Germany's best Elvis. He is a performer, he is a fan, and he is Nils Strassburg. In roughly that order. In his autobiographical novel, he tells of rock 'n' roll, his search for the perfect imitation, and how you must first lose yourself before you can find yourself. A musician's life, in other words. "Sturm und Drang arises from oppression. Rock 'n' roll from slavery. Anyone who hasn't understood that can perhaps become an entertainer, but never a rock 'n' roller.
What are you against, if I may ask? Where is your oppression? What limits you? What are you rebelling against, Nils?"”
‘EPiC' Elvis Documentary Is One of the Most Exciting Concert Films You’ve Ever Seen": The first reviews are in from the Toronto Film Festival and as expected they are super-positive.
Variety's review includes..
..Think back to the greatest concert you ever saw, it could be Springsteen or U2 or the Stones, or Lady Gaga or the Ramones, or Taylor Swift or in my case two concerts from the ’80s (Prince and X) and one from the 2000s (Madonna). Now think back to the greatest moment in that concert, the one that gave you chills you can still feel. That’s the kind of experience I predict you’ll have watching “EPiC: Elvis Presley in Concert,” an extraordinary new documentary by Baz Luhrmann, the director of “Elvis.” The movie is a revelation, because for 96 minutes it shows you just how intoxicating Elvis Presley was when he began to perform live in Las Vegas in 1969 and the early ’70s. Many don’t quite think of him that way. There’s still a mythology hanging over Elvis during this period, the Vegas glitter, the white suit with the half-sun cape, the giant finger rings and the car-grille sunglasses, the “Thus Spoke Zarathustra”-from-“2001” bombastic musical intros, the sweat pouring off his shag-carpet sideburns, the onstage karate moves. It can all add up to a vision of the king of rock ‘n’ roll presiding over a kingdom of kitsch.
Elvis, in the early ’70s, was still relatively lean and mean, and still incandescent to look at. He was in his regal mid-thirties, with those sexy dimples and one of the greatest heads of hair in rock history. And that voice! His tremolo vibrato made every note into a pearly gem.
Seven years ago, when “Bohemian Rhapsody” came out, I went back and watched a lot of footage of Queen in concert, because
I wanted to key into Freddie Mercury, who is now universally thought of as one of the most electrifying performers in the history of rock & he deserves that reputation. But I’m here to testify that he’s about one-third as electrifying as Elvis was in the early ’70s. The power of Elvis’s voice remained undiminished, it soared, it quavered, it caressed, it boomed, it rocked, it hit every note with singular beauty. And though he would sometimes flirt with comedy in his moves, and didn’t jiggle the way he did in 1956, the way he held and moved his body still possessed a flamboyant erotic eloquence. Diving into this treasure trove of unseen performances, working with the editor Jonathan Redmond, Luhrmann has fashioned a streamlined and exquisitely paced concert film. Narrated by Elvis (from the interview clips), it incorporates rehearsal footage from when he was getting ready to play Vegas for the very first time at the International Hotel (offstage, we see what a perfectionist Elvis could be, and also what a charmingly modest and gregarious hang-out buddy), and it interpolates numerous performances from his Vegas residency, almost all of them from the early ’70s.
The movie warms up with the rehearsal footage, where we see him, in a blindingly colorful super-psychedelic shirt, do haunting renditions of the Beatles’ “Yesterday” and “Something,” and also Dusty Springfield’s “You Don’t Have to Say You Love Me.” We hear Elvis talk about how he cherishes all kinds of music, how as a teenager he would listen to Mario Lanza and the Metropolitan Opera. The “soft” side of Elvis has always been major. But shortly after that, he’s onstage singing “That’s All Right,” and the reason it doesn’t feel like
nostalgia is that the song’s velocity is ramped up, it now sounds like a bullet train.
He sings “Polk Salad Annie” with a gritty momentum worthy of Tina Turner, and in a very cool hybrid he segues back and forth between “Little Sister” and “Get Back.” And in a sequence guaranteed to give you those chills, we see him perform “Burning Love,” one of his two greatest songs from that era, for the very first time (he’s still reading the lyrics off a sheet of paper), and it just about burns the house down. “EPiC” climaxes with a surly-sublime version of “Suspicious Minds” an indescribably great song that could almost be the battle hymn of a republic that had attained a 50 percent divorce rate. And when the movie is over, you want to applaud the showmanship: Elvis’s, and also Baz Luhrmann’s. He reveres Elvis too much to let any excessive flash get in the way. There’s a purity and natural-born dazzle to “EPiC.” What you see is what you get: Elvis in the raw, driven by the awareness that it doesn’t get any better than that.
.... See Variety full review here
... The UK Guardian review includes.. ... Elvis is of course a tailor-made subject for Luhrmann, the Moulin Rouge director’s trademark bombast and razzle dazzle so in tune with the singer’s rattle and roll, which comes through in both his biopic and now 'EPiC'. The latter, Luhrmann says, is neither a documentary nor a concert film. Actually, it’s pretty much both of those things, but with an obvious slant, which the director accounts for by explaining “the storyteller is Elvis himself”. There are no talking heads here, just excerpts from Elvis’s interviews offering a running
commentary over unearthed footage that shows off what an electric performer he was, even during a 70s Las Vegas residency when some may assume he was washed up. Elvis is a hypnotic stage presence, even when just mumbling off sounds with his deep baritone while swiveling his hips, the dexterity in his voice unhindered by antics like swallowing a mic whole. The larger than life spectacle of his performances, backed by an all white band while his Black backup singers remain off to the side, are nicely tempered by Elvis’s easy-going, tenderly flippant charm. It’s just as entertaining watching him lay on his back and keep the audience hanging off his pillowtalk as it is watching his mesmerizing seizure-like moves. Luhrmann even slows down his typically aggressive editing styles to take it all in, only revving things up by cutting to different angles when in tempo with his king.
Fans at the world premiere in Toronto were getting up and dancing in the aisles during the big numbers like Burning Love.
The director gets most of his kaleidoscopic visual kinks off in the blistering prologue, when he sets the stage for the Vegas shows by frenetically recapping Elvis’s life and career up to that point. Your favourite photo collage and TikTok remix apps have nothing on everything Luhrmann throws at the screen when the movie covers Elvis’s hits, his run-ins with the law for obscenity, his Korean War years and the Hollywood career that made him feel alienated from his own popular image.
... Go here for full Guardian review (News, Source;ElvisInfoNet)
'Baz Luhrmann discusses “EPiC: Elvis Presley in Concert” at the world premiere in Toronto':
Thanks to 'CC Rider' fans can watch a fascinating 30 minute discussion with director Baz Luhrmann about his new film and the long journey to get to this Elvis premiere.
His editor Jonathan Redmond also talks about how they put it together.
They found 59 hours of footage in the MGM vaults
(News, Source;EIN)
- With thanks to Ed Gibbs
"Luhrmann’s new film crowns ‘the King’":Australia's Sydney Morning Herald declared, "Baz Luhrmann’s new film crowns ‘The King'".
Baz Luhrmann’s new Elvis film 'EPiC: Elvis Presley in Concert' has premiered at the Toronto International Film Festival to a standing ovation, closing the loop on a journey that began for the filmmaker when he was developing his critically acclaimed 2022 biopic ELVIS.
The new film, a blend of documentary, concert film and narrated autobiography, was assembled from unearthed fragments of archival material believed lost.
Luhrmann described the project as a collaboration with film editor Jonathan Redmond, the result is a 96-minute film that explores a period in Elvis' life which, despite his cultural ubiquity, is perhaps also deeply misunderstood. “He wanted to go to Vegas, and they really thought he was going to do a nostalgia show, you know, just do the ’50s numbers and all of that, but Elvis wouldn’t have a part of it,” Luhrmann said. “Elvis wanted a big sound. He wanted to take a song that Simon & Garfunkel did and make it his own. Bridge Over Troubled Water is an amazing song, but when Elvis takes it, it’s an amazing prayer.”
The Toronto International Film Festival is marking its 50th anniversary and unsurprisingly, the reaction to EPiC: Elvis in Concert at the weekend was overwhelmingly positive.
But Luhrmann was hesitant to draw parallels between himself and Presley, gently dismissing the notion that they both possess showman-like qualities. “Showmanship can sometimes be misunderstood, because when you see Elvis, one thing that I’m really sure you can see is that he’s also a very spiritual person. So if you go into a gospel church, or a spiritual
place, there’s a degree of theatricality that also comes with a way of bringing an audience into ... a spiritual unity.
You can sometimes go into the heart to go to the brain, or you can go into the brain to come to the heart, right? But the thing you try and do is bring them both along. So I like to think that even though I make shows, they’re made for audience participation.
They are made as showmanship, some people call it razzle-dazzle, but then right in the middle of it, I like to flip it and say, yes, but it is about something. Whether that’s about growth through pain or impossible love, it is about something.”
An Australian release date for the film has not yet been announced.
- - - - Go here to SMH for full article (News, Source;ElvisInfoNet)
Sunday 7 September 2025
'From Elvis In Memphis – Recorded Live 1974' OUT NOW: UK MRS label has released ‘From Elvis In Memphis – Recorded Live 1974’ as a CD Deluxe set and 2LP Gatefold sleeve in both black and clear vinyl. - - - (click for high-res pic)
This 2CD set includes two performances from his hometown of Memphis. The first concert is from March 16th, 1974 (Afternoon Show), marking his return after 14 years, followed by a second concert on March 17th, 1974 (Evening Show).
The original recording has been remastered and mixed into STEREO, probably the best mix by MRS thus far.
The accompanying booklet contains rare photographs and memorabilia from the event, along with liner notes that provide context and background information.
The 2LP set featuring only the 16th March opening show will be available in both Black and Clear vinyl.
Please note, the clear vinyl is ONLY available from exclusive Elvis dealers and fan clubs and NOT thru mainstream public stores.
The key 16 March 1974 (Afternoon Show) is released on both CD1 and the double-vinyl version.
The CD deluxe set also features the March 17 1974 (Evening Show)
Tracks include Tryin’ To Get To You, Steamroller Blues, Polk Salad Annie, Why Me, Lord?, Help Me, An American Trilogy and Funny How Time Slips Away...
Baz Luhrmann and ‘EPiC: Elvis Presley In Concert’:Deadline USA has posted a lengthy interview with director Baz Luhrmann about his love of Elvis and why he made ‘EPiC: Elvis Presley In Concert’ after his 2022 drama.
The highlights include.. Baz Luhrmann: As a kid, I had some Elvis fandom for sure, I did love him. But then I went on to Bowie and Elton and people like that... But in doing the movie, I was reminded how much Elvis was in my mind as an influence. The reason I really chose Elvis as a subject was that as a canvas, he really reflected America’s journey like ’50s and beyond. I still have trouble explaining to young people now, or even audiences just how scary Elvis was to the previous generation who had come home from the war, didn’t want any more noise, or anymore battles. They wanted to move to the suburbs and live The Dick Van Dyke Show. Elvis was like the devil. It’s so not an exaggeration considering his growing up in and around Black music, his physicality, his overt
sexuality and his attitude. He and James Dean were essentially twins. One being an actor, one being a musical star and an actor too. Elvis admired Dean, he said James Dean was a genius. I’ll never be as good as him, but they both scared the adults. And then what happens is that after the army service he was driven very much by Parker’s idea to make him a family entertainer. And that’s all those 60's films.
.. We had a tiny little cinema in our Aussie country town and we loved our Elvis matinees. I thought he was the coolest. But it turned him numb as it made him the highest-paid actor in Hollywood. He was the first actor to get a million bucks a picture, but it made him numb, in a river of money. And then suddenly boom, something happens which I try and hint at.
John Redmond, who I’ve been editing with for 22 years, we were really creative partners on this because it is found footage, I didn’t shoot the footage. And he brings a lot of the poetry to it. We tried not to be too didactic, but more, that’s why I say, and I can’t underline this enough, I say it’s EPiC. Elvis is fully present in concert, Elvis sings and tells his story like never before. I say it’s not a documentary and it’s not a concert film. It’s EPiC.
What I really mean is if you would ask me, honestly, it’s a kind of tone poem on the person and the performer himself. Deadline: Including the delay when Hanks became the first major star to go down with Covid, how many years did you live in full Elvis immersion to make that original film? Baz L: I’ve been going back through old photo files and found notes about Elvis even around Moulin Rouge time, so it’s over 20 years ago. But in terms of seriously, John Redmond and I made an Elvis reel of found footage and when we started finding footage, we always thought, gee, if we do the Elvis film, we must make something like EPiC. And that reel was made seven years ago.
Deadline: We saw how long it took Austin Butler to stop talking and moving like Elvis after his long immersion. What was the most compelling thing that brought you back for more after you too had shed Elvis? Baz L: Responsibility? It’s hard to be clear about this because you have a lot of Elvis fans out there. That’s The Way It Is and Elvis On Tour - there’s a lot of bootleg material out there. But when I went to make the Elvis film, I had the money and the resources to go into the salt mines that are in Kansas and look for these rumored negatives. And we found more than we imagined. I wanted to try and reconstitute it for some of the big Vegas stuff, but it turned out it was better for me just to build the sets. And I hadn’t been prepared for the level of craft and absorption and commitment that Austin brought to being Elvis, when I thought, I should use the real Elvis. There were a few snippets of the real concert in my movie, but now I’ve found all of these reels of negatives, with no sound. It’s very important to say no sound right?
But I go, well, I can have them all put back into the salt mines and you’d never know. Some of the footage has never been seen before because they shoot six nights of concerts at the MGM and some of it’s 8 mm that had never been seen. The stuff you saw of him in the gold suit in Hawaii, that comes from the archives in Graceland. What do I do? I think, I can’t just reheat up and yet another version of Elvis TTWII or Elvis On Tour. So it took so long to digitize, to print, digitize lip read, to work out what he’s actually saying, and then find old VHS’s or our work prints and scrape back the vocals. Most of it is Elvis’ original vocal from stage. And definitely Ronnie Tutt the drummer, his drumming was recorded well, as was the guitarists but some of the voices, and strings or brass we had to re-record.
After all, this is not to be a documentary in the sense of we just used exactly what was on stage.
That was not possible, so what we made is a sort of cinematic poem. Deadline: What does that mean? Baz L: What if Elvis was here now, what would it sound like? And the most important thing I’m just about to go and sign off on the IMAX version. You’ll never have seen Elvis in Vegas or on tour at this scale, onscreen, at this quality sound level. So the money has really been put into, like we say, EPiC. Elvis sings and tells his story like never before. We also found some previously unreleased recordings of him telling his story and we use a lot of preexisting stuff that people would know, but a lot of him saying things that an interview was about a 50-minute interview that had never come out of the vault before. That was shot when he was on tour, audio only. Deadline: Who gives you’re the needed permissions to wade through the Graceland archives? Baz L: People assume that Graceland, the estate owns and controls Elvis, but actually it’s split up into several layers. Elvis’ image and the Elvis name is owned by a group called Authentic Brands, but the other part of history is that Warner Bros owns the Elvis MGM movies, That's The Way It is and Elvis On Tour. So actually it’s the MGM vault that is in the salt mines. Warners gave permission because I’m working with them, and I was making Elvis with Warners, and it costs a lot of money, man. There is stuff in those vaults you wouldn’t believe, but it costs so much money to go into the sealed vaults to bring it out to dry the negative, to run the negative. You have to get the old machines. I think we had someone on it for two years just going through negative and printing. And then Sony Vision is the real producer but there's also RCA, Elvis’ label.
Ad then in the end, when I was at Graceland, Lisa Marie controlled who goes in and out and she gave me the great privilege of access to areas other people are not allowed into, including the upstairs area, which is a gift. And that I’ll always cherish, I’ll always cherish. And now that responsibility has fallen to Riley Keough. Aside from being the granddaughter of Elvis, she’s a fantastic young actor, singer and filmmaker. Deadline: You mention the movies numbed Elvis. What did he want out of Hollywood besides a paycheck? Why weren’t the movies better? Baz L: Elvis was a movie usher as a kid. He saw Stanley Kubrick’s Dr. Strangelove seven times. His greatest love was to book out the theater and watch movies, over and over and his movie tastes were really quite extraordinary. He was a huge Kubrick fan. And do you know why we have “Thus Spake Zarathustra” at the beginning of his show? It was from 2001: A Space Odyssey. He was a mad movie fan. And let me tell you something. If you look at his early films his acting is very good. And as he says in our documentary, “When I went to Hollywood, I really thought they’d give me a chance at doing a serious role.” And he tried to. But one thing that The Colonel was really aware of was that if you have Elvis sing in a movie, you make a river of money. Nobody really wanted to see Elvis, they wanted to hear him. The Colonel took care of all the business, and they got so bad. And as he says in this movie, he said, you couldn’t have paid me more money to feel less satisfaction.
He became self-loathing about it. There were times when they stopped even making new music. They just find what they had around. He didn’t even read the scripts. He just turned up and did them. Some of the early ones are fun and good, like Blue Hawaii. I think Viva Las Vegas is fun, and Ann-Margret and he had real electricity. But they get so silly and he gets so self-loathing, he just doesn’t really care. And that is why he goes back to the audience after eight years. He says, 'I got to show people what I can do'. He actually says that. I’m not a joke. I started out as a unique creature. I have to try to find my way back to that.
Deadline: Was there a role he really wanted only to have The Colonel get in his way? Baz L; The big moment was A Star Is Born. The possible partnership between Barbra Streisand and Elvis Presley fell apart. There’s no question that The Colonel didn’t really help that along. But the thing about Colonel … he wasn’t like this villain that’s traditional. He was funny, charismatic and unbelievably manipulative, and he also could always suck the air out of any room. He was never in the room that he didn’t suck the air out of it.
Some see The Colonel as just this two-dimensional villain; he was actually a clown with a chainsaw, but he was also a business genius. A manager actually looks after the person and makes sure that the artist is flourishing, is going to have longevity and choices. The Colonel also had a gambling addiction. He sold the catalog to RCA in desperation. One thing I will tell you though, and I hope we get it from the movie, is that people wonder about the spirit of Elvis and the kind of person he really is. Nobody wanted him to record “In the Ghetto.” Even his closest allies said don’t do that. It’s too political, right? But he did do it. He sings, “Walk a Mile In My Shoes,” that poem about “if you could be me for one hour,” he sings. Don’t judge others. Try and see it from their point of view. I hope that the underlying feeling you get is we see Elvis - because he’s really good looking and he’s really incredible on stage. He never rehearsed dance moves. I learned this from Mick Jagger. Jagger said to me, the thing about Elvis is I would say, okay, I’m going to practice this step. And Michael Jackson, brilliant dancer, would practice the step.
Elvis, never stood in front of the mirror and practice steps. He said, well, I just feel it out there. He’s almost like in a spiritual state now on stage, so confident and so in control, and so at ease. But off stage, he was still that very insecure little boy from the poorest of the poor part of Tupelo, whose father went to jail.. whose mother had to leave in the middle of the night
and change locations. And who never, ever felt quite good enough and was looking for, I think, the affirmation of unconditional love, and the only unconditional love Elvis probably felt came across the footlights.
- - - - - - - Go here to Deadline for the full interview
- and see EIN's Spotlight on 'Baz Luhrmman and ELVIS' for all the'EPiC'News (News, Source;Deadline/ElvisInfoNet)
Friday 5 September 2025
‘‘The Raging Tiger’ Closing Night 1974’: The UK ‘Memphis Recording Service’ (MRS) label continues its 20-year anniversary (2005-2025) with ‘Las Vegas ‘The Raging Tiger’ Closing Night 1974’ release as a 2CD Deluxe-Set and 2LP Gatefold in both black and clear vinyl.
The set features one of Elvis’ most controversial performances recorded during his closing night at the Las Vegas Hilton, on the 2nd of September 1974.
Although the show was strong and well performed, at various points throughout, Elvis frequently broke off to ramble about unrelated topics displaying unprofessional and inappropriate behaviour, that included some explosive outbursts and angry out-of-character threats.
This important performance has never been officially released and now for the first time ever the original recording has been remastered and mixed into stereo. Click for high-res pic.
The accompanying booklet features rare photographs and memorabilia from the event and also includes liner notes that set the scene.
The 2LP sets and will be available in both Black and Clear vinyl.
Please note, the clear vinyl is ONLY available from exclusive Elvis dealers and fan clubs and NOT thru mainstream public stores.
Click for high-res pic - the vinyl is a stunner!
This was an incredibly emotional show for Elvis at the end of one of his most impressive Las Vegas seasons with his emotions poured into songs such as 'It's Midnight', 'You Gave Me A Mountain' and 'If You Talk In Your Sleep' while at the same time showing his real anger at the recent negative press that he had been receiving.
As this was such an important Closing Night, this is the complete performance including the extra songs by 'Voice'.
Golden Years Elvis 'King Creole' plus Colin Paul: Elvis is back on Matt Shepherd's Golden Years. Producer Anthony Stuchbury discusses his forthcoming 'King Creole' Mono II Stereo special release and we have exclusive first radio plays of three songs from the album.
Plus the great Colin Paul, just back from Elvis Week, is on the show talking about his new album “Hello Memphis” recorded live in Memphis Tennessee.
There's a stack of great oldies - kicking off with stunners from Little Richard plus The Beatles, Billy J. Kramer, Herman’s Hermits, The Ronettes, and more!
Go here to MixCloud for the joy of 'Trouble', 'Lover Doll' and 'King Creole' in 2025 re-mastered STEREO. Great stuff.
(News, Source;MS/ElvisInfoNet)
Fake (scam) Elvis book for sale on social media: Yet another media SCAM involving our hero.
Ads for this 'Elvis Presley ABC' book, apparently targeted for younger readers, appeared on Facebook in the past day or so.
and other social media..
On clicking the link those with a strong anti-virus/anti-malware program will receive a message saying the site cannot be accessed as it is likely fake/scam. Beware - DO NOT 'Click' - please be aware of scams.
'A Study of Elvis 'In Concert'' New Import Vinyl: From Gravelroad Music, 'A Study of Elvis Presley's 'In Concert'' double-vinyl.
The GRM publicity notes...
... After the success of our first vinyl release, 'The Return of a Prodigy' (in 'Elvis 1969' boxset) we received many requests to release 'A Study of Elvis Presley's 'In Concert'' on vinyl.
Since 'For God and Country' (Hawaii 1961) is still being worked on, and we've already completed the vinyl mastering for "In Concert" we are able to surprise you with this fantastic release and even have some really great gifts!
Includes a large poster of the October 3, 1977, CBS announcement in color & two faithful reproductions of the backstage badges from the tours
These records are of the highest quality, 180 gram vinyl, the total clear vinyl.
Everything housed in a full color gatefold sleeve with extra printed inner sleeves and Japanese Anti-static inner cover to protect your precious vinyl.
Our version is without the fan comments and with the addition of the previously missing, impressive "Unchained Melody." All done with the same technique as in 1977.
Also, the set list has been re-arranged to have a correct set list of Omaha with some extra songs from Rapid City on the right spot.
We strive for the best quality and affordability within those limits. We won't compromise on quality. That’s our promise.
See 'All The CD News 2025' for tracklist, details and the special 'In Concert' badge offer..
(News, Source;GRM/ElvisInfoNet)
'Raging Tiger: Closing Night 1974' New MRS: Elvis Day-By-Day have posted that the next official MRS release will be 'The Raging Tiger: Closing Night 1974'.
Remastered for 2025 this will no doubt be welcome by Elvis fans as it has never been released officially.
The emotional finale to Elvis' roller-coaster ride of the Las Vegas 1974 Summer Festival it was a powerful and traumatic experience.
Elvis put incredible emotion into songs like 'Big Boss Man', 'If You Talk In Your Sleep', 'It's Midnight' ("listen, Priscilla" he says), 'You Gave Me A Mountain' and 'Until It's Time For You To Go' but it is all wrapped up in the desperation of his infamous drug speech.
As we head towards the premiere of Baz Luhrmann's 'EPiC' here's a treat for EIN readers
'Elvis Presley Whole Lotta Shakin' 1970-1971' New Documentary: From super-fan Dennis Laverty, a new in-depth documentary looking at Elvis' key years of 1970-1971.
Using rare footage, fascinating interviews and 8mm fan-footage Laverty includes more than you could imagine. "This Fan-Made Documentary celebrates Elvis Presley's 90th Birthday.
In January 1970 Elvis would make his return to Las Vegas after closing in August 1969, breaking all attendance records for the city.
In this film you will go back on a ride to the years 1970-1971 and if you were a fan then you will relive those moments that made you a fan.
For newer fans you will see why Elvis is regarded as the Greatest Live Performer.
Go back to the Houston Astrodome to relive Elvis'
historic 6 sold-out performances and the press conferences.
Revisit his tremendous 1970 Nashville sessions and also stunning Las Vegas performances.
In September 1970 Elvis would also begin his first tour since he stopped his US tours in 1957."
Go HERE to Vimeo to watch PART 1 - runs 2 hours
- EIN Highly Recommended - Check out the four-minute intro and you'll be hooked! (News, Source;DLaverty/ElvisInfoNet)
EIN Note: This tremendously enjoyable well-compiled documentary not only features some great unreleased live performances and fan-footage but also some fascinating interviews including.. Tony Joe White, composer Eddie Rabbitt, Glen D Hardin, Charlie Hodge, Ray Peterson (fascinating about The Wonder Of You), David Briggs, Charlie McCoy, Jerry Carrigan, Chips Young, James Burton and very interesting sessions comments from Norbert Putnam..
It also includes some lovely rare photos.
'Baz Luhrmann’s 'EPiC' Elvis Presley in Concert' Tickets: Amazingly there are still a few tickets still available for Baz Luhrmann’s 'EPiC' Elvis Presley in Concert premiere at Toronto Film Festival this Saturday September 6. Saturday Sep 6, 2:45pm at the Visa Screening Room, Princess of Wales Theatre, Toronto.
.. Brilliantly compiled with an aficionado’s enthusiasm and sensitivity, the film shifts skilfully between rehearsals, where Presley is cheerful, hard-working, even goofy, and live performances that vary from powerful and grandiose to rushed. There are moments where he can’t keep up with the breakneck arrangements and loses his breath.
Among the standouts are 'Polk Salad Annie' and 'Burning Love' a 1972 chart-topper. There are also cutaways to an army of excited celebrities attending the shows and a nod to Presley’s journey from scandalous hip-shaker to showbiz icon.
In 'EPiC' Luhrmann’s focus lands on Elvis’ musicianship and his interactions with band members and singers. What’s revealed is his deep knowledge of gospel, blues, and country traditions, and his instinctive feel for finding the best arrangements and pace for his songs. This is perhaps the most poignant account of Presley to date.
'The Colonel and the King' In-Depth Book Review: Published early this month Peter Guralnick's new biography ''The Colonel and the King: Tom Parker, Elvis Presley, and the Partnership that Rocked the World' has stimulated new debate.
The publicity promised.. "a groundbreaking dual portrait of the relationship between the iconic artist and his legendary manager — drawing on a wealth of the Colonel's never-before-seen correspondence to reveal that this oft-reviled figure was in fact a confidant, friend, and architect of his client’s success.
It was a relationship founded on mutual admiration and support. From the outset, the Colonel defended Elvis fiercely and indefatigably against RCA executives, Elvis’ own booking agents, and movie moguls. But in their final years together, the story grew darker, as the Colonel found himself unable to protect Elvis from himself or control growing problems of his own."
Unfortunately it appears that in trying to "debunk the myths" and create an alternate viewpoint of Col Parker, Guralnick has ignored a large amount of known history and obfuscates the facts.
Several of Parker's major exploitations of Elvis are deliberately left out!
Why exactly would a respected writer like Guralnick do this?
Guralnick book now a "best seller"?: EIN notes that despite the publicity push, initial sales of the new Guralnick book started off slowly but have now picked up.
Amazon marks it as a "Best Seller" though it is way outside the top 100 selling books - the highest it is ranked is #4,999 on Amazon UK 'Best Selling Books'.
On Amazon US and Amazon Australia it is not even in the top 10,000!
On Amazon's 'Musician Biographies' where you might have expected it to chart highly it stands at #80.
It is however #1 on several sub/genre charts such as Amazon UK's 'Blues Musicians and Blues Biographies'.
On Amazon UK's Top 100 'Best Sellers in Actors & Entertainers Biographies' Lisa Marie's 'From Here to the Great Unknown: A Memoir' is still charting at #59 while Guralnick's 'The Colonel and The King' sits at #94. (News, Source;NP/EIN)
'Elvis News Report September 2025': Elvis super-fan Emiel Maier presents all the recent news including...... Baz Luhrmann announces the ‘EPiC’ movie premiere, Future plans for
Graceland, New Video Screen Concert tour in 2027, The ‘Sunset Boulevard’ box music chart positions, The ‘Elvis Evolution’ controversy ... and so much more..
“Elvis Presley Concerts and Rehearsals From 1944 To 1977” : From author Marco Durzo just published in E-Book, Hardcover of Paperback 'Elvis Presley Concerts and Rehearsals from 1944 to 1977' the updated edition 1.11 in both English and also Italian.
It contains information relating to Elvis Presley's concert activity from 1944 to 1977, First Performances, Shows and Rehearsals of the Shows, with detailed information on the AUDIO recordings of the same, in particular Original CDs/Vinyls and Bootleg CDs/Vinyls, and VIDEO recordings of the same, in particular 8 mm and VHS Films, VCDs, DVDs and Blu-Rays.
Includes
- 1988 First Performances, Shows and Rehearsals of which 65 are canceled shows - from 1944 to 1977!
- 831 Shows and Rehearsals recorded of 1923 First Performances, Shows and Rehearsals performed from 1944 to 1977!
- 785 Shows and Rehearsals recorded of 1171 Shows and Rehearsals performed from 1968 to 1977!
Added new information where available about Crowd attendance, Elvis' Suit, Elvis' Belt, Musicians' Suit !!!
Plus a chapter on the complete Elvis Presley FTD discography.
...For more check out English version on Amazon Softcover / Kindle / Apple Book Store / Google Play - - - or Italian Version> AmazonSoftcover / Apple Book Store / Google Play (News, Source;Marco Durzo/EIN)
Jailhouse Rock & Love Me Tender new vinyl: Out now two new vinyl releases from the Norwegian Flaming Star fan club.
1. 'The Jailhouse Rock Sessions' - brand new 2-LP & CD set.
Features the 'best of' Elvis' classic movie sessions as well as a bonus 'TV Commercial'
Available in black and yellow vinyl - both colors limited to 250 copies.
Produced by Pål Granlund and Kenneth Dokkeberg, with audio remastering by Marc Vich
“Iconic Albums” series of books about Elvis’ albums: Author Richard Ward has published a more than 140 books (90-130 pages) examining popular album releases. His series includes (to date) six volumes about Elvis albums.
EIN’s Nigel Patterson offers a mini-review, including addressing the issue of possible AI, based on one of the Elvis volumes, about his debut album, Elvis Presley.
... In March 1956, the world met a voice, a style, and a swagger that would change everything. Elvis Presley, the debut album, was more than just a collection of songs — it was the birth of modern rock'n' roll.
Rockhurst Elvis Auction Results: The results are in for Rockhurst's Elvis Week "Auction on Elvis Presley BLVD" in Memphis.
It featured over 80 very collectable artifacts -
The most impressive results were for
- Elvis stage-Worn 14K Gold Ring with Huge Lapis Stone sold for $28,750
- Elvis "Bureau of Drug Abuse Control" Badge - sold for $17,250
- Elvis Signed 1969 Contract for the International Hotel Concert Engagement - sold for $14,950
- "TLC” Necklace Gifted by Elvis to Dr. Nick’s Wife - sold for $11,500
- Elvis 1971 Handwritten Numerology Notes on Envelope - sold for $6,900
- Elvis Silver and Turquoise Concho Belt given to Ronnie Tutt - sold for $5,463
Somewhat surprisingly both Elvis' '1972 NME "Top World Male Singer" Trophy - one of the ONLY Awards Outside of Graceland, and 'Elvis Presley's Social Security Card and 1954 Precision Tool Earnings Statement' with an estimate of $50,000 - $75,000 did not sell
Go here for the full results (News, Source;ElvisInfoNet)
EIN Exclusives and News highlights from earlier in August ...
(Book Review) 'Make the Dream Real: World-Building Performance by El Vez, The Mexican Elvis':Many fans will not be familiar with El Vez, the Mexican Elvis, and you are missing out if you don’t.
His blend of colorful punk visual style and politically infused revisionist lyrics to Elvis songs make El Vez one of the most unusual, most important, and most challenging, of performance artists. El Vez is unique among those interpreting Elvis’ song repertoire in that he makes them a political statement, changing lyrics to highlight social injustice /exclusion, economic inequality and rancid cultural mores, suggesting something very different..
A new (academic) book, Make the Dream Real, lifts the lid on the world of El Vez and its importance in a politically fractured and unequal world.
EIN’s Nigel Patterson provides a detailed review of what is a stunning, entertaining, and thought-provoking release. Read Nigel’s review
& check the book out here >> Amazon USA --- Amazon UK (Book Review, Source: EIN)
'Golden Years Remembering Elvis - The 60s / 70s / 80s Mini Specials': Elvis super-fan and BBC announcer Matt Shepherd continues his marking of the anniversary of Elvis’ passing with three more mini-specials.
Click below on each decade to listen via Mixcloud. EIN recommended..
1960s - A mini special featuring album tracks and a huge 60's classic. There's also music from musicians who worked with Elvis and scored hits in their own right, such as Bill Black and Boots Randolph. 1970s - This time get ready for some powerful vocals from the 1970s. There's also music from musicians who worked with Elvis on stage. 1980s - A bonus special dedicated to Elvis in the 1980s as suggested by Producer Anthony Stuchbury. Enjoy cuts that made the 80's charts in the UK for Elvis (includes 'Beyond The Reef') as well as information and chart positions of other songs that became posthumous chart entries for the King.
Each mini-special runs around 25 minutes - (News, Source;MattShepherd)
'Elvis 1956 October 10-31' New Book: Paul Belard has just published his newest Elvis "day-by-day" photo-book, this time looking at Elvis' life in October 1956.
.. In October 1956, Elvis went back to Dallas, Houston, Waco and San Antonio where he gave six shows that drew record crowds.
He returned to Memphis for a few days after his Texas tour. There, he got into a brawl with gas station attendants and, under the eyes of everybody in America, went to court the next day where the trial cleared him of all wrongdoing.
Then he flew to New York for his second appearance on the Ed Sullivan Show, a sweet revenge since this was the man who said earlier he would never book Elvis on his program.
Elvis ended the month shooting a new ending for Love Me Tender and frolicking with Hollywood star Natalie Wood in his home town. "I owe a lot to Texas" Elvis once told a Dallas newspaper reporter, "They're the ones who put me over the top." However Elvis, Scotty and Bill put a lot of miles and sweat into it. When Elvis Presley achieved international recognition he never forgot those early days and came back often to Texas.
Happy Birthday James Burton!: August 21, 2025, Today the legendary guitarist James Burton turns 86 years old.
James Burton is a member of the Rock and Roll Hall of Fame, Rockabilly Hall of Fame, Musicians Hall of Fame plus Country Music Hall of Fame.
He is ranked as one of the greatest guitarists of all time and has played with almost all the greats including Ricky Nelson, The Everly Brothers, Johnny Cash, Glen Campbell, John Denver, Gram Parsons, Emmylou Harris, Jerry Lee Lewis, Elvis Costello, Roy Orbison, Joni Mitchell, Hoyt Axton, and Vince Gill.
He also happened to be Elvis' "favourite guitarist".
Back in August 2003 EIN phoned the great man to have a chat and also wish him Happy Birthday. Read EIN's 'James Burton Interview' here
(News, Source;ElvisInfoNet)
'Elvis Day By Day 2017: The Year In Review' Special edition: To celebrate the 48th anniversary of Elvis’ death, but also his lasting legacy, Poplar Tunes Publishing will release 'Elvis Day By Day 2017 - The Year In Review' later this year.
This new volume in the Elvis Presley yearbook series returns to the 40th anniversary year of Elvis' untimely death, preserving his enduring legacy. "It's rare when an artist's talent can touch an entire generation of people. It's even rarer when that same influence affects several generations. Elvis made an imprint on the world of pop music unequaled by any other single performer." When Dick Clark spoke these words, he couldn't have imagined they would still ring true so many years later. A Landmark Anniversary Year
The year 2017 marked four decades since Elvis’ death. Yet his music still topped charts worldwide and earned new Gold and Platinum awards. Together with the Royal Philharmonic Orchestra, he toured Europe, Australia and the United States, selling out every major venue. "Elvis never left the building". All The Book, Movie and Music Releases
Fans enjoyed countless re-issues of Elvis’ original recordings alongside bold re-interpretations. New musical backing, newly mixed 'Spliced Takes' and Mono to Stereo conversions gave fresh life to classic material and sparked discussion among collectors.
The many CD and vinyl releases from 2017 spanned his entire career, from early Sun Records material on 'A Boy From Tupelo' to the 40th
Anniversary Edition of 'Moody Blue'. And many of Elvis’ movies were re-issued on DVD or upgraded for Blu-ray presentation.
Publishers released books covering virtually every facet of Elvis’ life. Music-focused titles ranged from individual songs to complete annotated overviews of his recordings.
Concert fans received detailed documentation about his tours, including illustrated looks at his famous Canada (1957) and Madison Square Garden (1972) performances. Authors examined his impact on fans and culture, his relationship with racism and spirituality, and locations he visited from Germany to Hawaii. This book catalogues them all with in-depth reviews of the relevant titles.
Major Events and Exhibitions
Beyond publications, 2017 brought significant events deserving documentation. 'Elvis Presley's Memphis' opened as an impressive forty-five million dollar museum complex in Memphis. London's O2 Arena hosted a major exhibition celebrating his legacy. Remembering Those We Lost
The year brought the loss of many people connected to Elvis’ story. Co-stars Mary Tyler Moore and Suzanna Leigh passed away, along with Memphis Mafia friends Marty Lacker, Sonny West, and Red West.
We lost two original rockers who influenced Elvis: Chuck Berry and Fats Domino. We also said goodbye to Memphis Boys bass player Mike Leech, radio reporter Red Robinson, and television writers Chris Bearde and Alan Weiss. What This Book Offers
This yearbook preserves detailed information about every important Elvis publication from 2017. Every release gets listed, and approximately 40 in-depth reviews by Elvis writers, experts and fans add thoughtful insights to the chronological documentation. All from a 2017 perspective.
The book comes with a friendly warning: while browsing these pages, you may discover not only what you missed, but also what you want to add to your collection! The expert reviews guide you toward essential additions while steering you away from disappointing releases.
A must-have chronicle for serious Elvis fans and collectors.
The book will be released as a paperback and as a Deluxe hardback edition. Pre-orders will start soon.
See EIN's review of last year's'Elvis Day By Day 2024' (News, Source;ElvisDayByDay)
'King Creole' CD from RDM: Delayed from its original July 2025 release, the new RDM 'King Creole' sets will be out on 19 September. Not only the 'King Creole' 10” vinyl - but also the 16 track special King Creole ‘mono to stereo’ original soundtrack CD. Remixed and sequenced by producer Anthony Stuchbury.
Includes movie versions of five songs which haven’t officially been available elsewhere.
Although the King Creole album was released in their 'Essential 50's Masters' set, this new release contains previously unreleased material.
Produced in collaboration with David Parker and RDM-Edition.
"The fans asked for this, and we listened. Now you know what ‘we’ do for an encore."
CD Tracklist 1. Turtles, Berries and Gumbo - King Creole instrumental - Crawfish - Movie Version, 2. Steadfast, Loyal and True - Undubbed Movie Edit, 3. Lover Doll - Movie Version, 4. Trouble, 5. Dixieland Rock, 6. Young Dreams, 7. New Orleans - Movie Version, 8. Hard Headed Woman, 9. King Creole - Movie Version, 10. Don't Ask Me Why, 11. As Long As I Have You, - Plus Record Versions 12. Crawfish, 13. Steadfast, Loyal and True, 14. Lover Doll, 15. New Orleans, 16. King Creole
EPE Future Plans: At Elvis Week 'Conversations on Elvis' EPE's managing partner Joel Weinshanker talked about EPE's future plans and answered questions.
The main points were...
-- About how he helped Baz Luhrmann get the MGM footage from the Warner's 'salt mine' storage.
There are "hundreds of hours" of MGM footage now digitised for future projects and for historical investigation.
The 'EPiC' movie does not yet have a distributor, it will go-to-market after TIFF premiere.
It needs to be seen on the big-screen but no release date yet - possibly Elvis' Birthday next year.
The future Blu-Ray version will hopefully be an extended version.
A new 'Royal Philharmonic / Elvis' tour is being worked on for 2027.
This will use the newly found footage, it will be "Next Generation" special
EPE's 'March to 2027' ideas are..
Several new things at Graceland "it has to be organic, it has to be authentic" stuff and "we're going to make Elvis proud.”
A future "Elvis hologram" show utilising the best technology is getting closer.
Riley Keough will be a big-part of it but it might be a "couple of years" away.
He noted that there is a "God-Like essence" to the real Elvis that is impossible to truly recreate.
God did something special that day - "There is only one Elvis"
He did discuss 'Elvis Evolution' and how he was involved with them for the "last six months" to make the show the "very best it could be".
He acknowledged that their initial 'AI / Hologram' marketing was wrong. -
He has not seen the final version of the show.
However EPE is bringing the 'Elvis Evolution' third-act, the '68 Special section', to Graceland.
EPE is using "Influencers" to get Elvis and Graceland out to the younger generation.
He was asked also why Billy Smith's family is not involved with EPE.
Joel Weinshanker said that in the past things had been "said and done" that could not be "Unsaid and Undone".
This is a family decision, not his.
He was asked about the new "Col Parker" exhibition - and was told that a lot of fans are not happy about the ingratiatingly positive exhibition.
Weinshanker noted that Parker was a "complicated" figure. That Parker "gave" EPE his huge archive which is so important to them. - (see EIN note below) (News, Source;EPE/ElvisInfoNet)
EIN NOTE: Parker did not "give" EPE his archive. After the 1981 court-case Attorney Blanchard Tual concluded that Parker was guilty of self-dealing and overreaching and had violated his duty to both Elvis and to the estate. "These actions against the most popular American folk hero of this century are outrageous and call out for a full accounting from those responsible."
Amazingly in the end EPE still made an out-of-court settlement where Parker was paid over $2million to "relinquish all claims to the Presley name and image and for his massive store of Elvis merchandise he had built up in warehouses over the years."
Please see 'The Dark Side Of Colonel Parker'
16 August 2025 - 48 years ago today the world lost the greatest entertainer of all time.
"Elvis was God-given, there’s no other explanation. A Messiah comes around every few thousand years, and Elvis was it this time.”- Little Richard
“I remember Elvis as a young man hanging around the Sun Studios. Even then, I knew this kid had a tremendous talent. He was a dynamic young boy. His phraseology, his way of looking at a song, was as unique as Sinatra’s. I was a tremendous fan and had Elvis lived, there would have been no end to his inventiveness.” - B.B. King
“Nothing really affected me until I heard Elvis. If there hadn’t been an Elvis, there wouldn’t have been a Beatles”- John Lennon
"It was like Elvis came along and whispered some dream in everybody's ear, and somehow we all dreamed it." - Bruce Springsteen
"When I first heard Elvis' voice, I just knew that I wasn't going to work for anybody; and nobody was going to be my boss. Hearing him for the first time was like busting out of jail."- Bob Dylan
"Elvis Presley's death deprives our country of a part of itself. He was unique, irreplaceable." - President Jimmy Carter
"I've been an Elvis fan since I was a kid. If it hadn't been for Elvis, I don't know where popular music would be. He was the one that started it all off." - Elton John
Watch Candlelight Vigil Presentation REPLAY:Last night the world honoured the life and legacy of Elvis Presley and observed the annual Candlelight Vigil at Graceland on August 15.
The ceremony for the 47th anniversary was organized as always by the Elvis Country Fan Club.
The special theme song for 2025 was 'Welcome To My World'
'Sunset Boulevard' Q&A and Listening Session: From Elvis Week in Memphis Sony /RCA's special "Sunset Boulevard" listening event to celebrate the release of the box-set that chronicles Elvis’ recording sessions and rehearsals at RCA’s legendary Los Angeles studios.
Unfortunately neither Ernst Jorgensen nor Roger Semon were there for this year's listening event.
Tom Brown instead chats with Matt Ross-Spang and Jerry Schilling about their stories of Elvis recording at these LA sessions.
It is good to hear from Jerry Schilling, who was there at the time, even if he reveals little that's new. Matt Ross-Spang provides some good insights into the new mixes.
Interestingly he chooses 'Bringing It Back' as his favourite song. (News, Source;EPE/ElvisInfoNet)
Check out these Amazon deals for 'Elvis: Sunset Boulevard'
'Linda Thompson Conversations On Elvis': Thanks to 'Globetrotting with Trey' fans can now watch Tom Brown talking with Linda Thompson at Elvis Week 2025.
The video runs 27 minutes.
Linda talks about composing and publishing songs and she also tells a great story of suggesting both 'Welcome To My World' and also 'Fairytale' to Elvis. "I tried my best to love you, but now I'm walking out the door"
She also talks about what living with Elvis 24/7 felt like and what she learnt.
Including Elvis' great line, "Honey, I don't need to go out, I'll bring the mountain to Muhammad." (News, Source;Trey/EIN)
'EPiC' Elvis Presley In Concert World' Premiere: Baz Luhrmann has announced the 'EPiC' Elvis Presley In Concert World' Premiere will be at the Toronto International Film Festival TIFF on 6th Sept in the Princess Of Wales Theatre!
As he notes.... "Oh, It’s a happy day…"
(News, Source;BazReels/EIN)
Described as ... Brilliantly compiled with an aficionado’s enthusiasm and sensitivity, the film shifts skilfully between rehearsals, where Presley is cheerful, hard-working, even goofy, and live performances that vary from powerful and grandiose to rushed. There are moments where he can’t keep up with the breakneck arrangements and loses his breath.
Among the standouts are 'Polk Salad Annie' and 'Burning Love' a 1972 chart-topper. There are also cutaways to an army of excited celebrities attending the shows and a nod to Presley’s journey from scandalous hip-shaker to showbiz icon.
In 'EPiC' Luhrmann’s focus lands on Elvis’ musicianship and his interactions with band members and singers. What’s revealed is his deep knowledge of gospel, blues, and country traditions, and his instinctive feel for finding the best arrangements and pace for his songs. This is perhaps the most poignant account of Presley to date.
'Talking Elvis': EIN's spotlight 'Talking Elvis' is updated today with new reminiscences from James Burton, Petula Clark ‘Elvis angled for a threesome, he was raring to go!, Anita Wood's Elvis phone-call plus UK journalist Derek Johnson meets Elvis in Germany.
Meeting ELVIS made an impression on everyone from the poorest fan to the world’s biggest superstars. Even the briefest meeting or chance encounter with Elvis created some lovely memories as well as some fascinating stories.
These smaller encounters often get lost or forgotten and sadly there are fewer and fewer people still alive who had personal encounters with our hero. So EIN has gathered together multiple stories to help us understand and know more. 'Talking Elvis' features reminiscences from people including Pat Boone, Elton John, Paul McCartney, Robert Plant, Paul Simon, Cliff Richard, Cher, Linda Thompson, Suzi Quatro, Riley Keough, Ernst Jorgensen, Dolly Parton, Ann-Margret, Barbara Stanwyck, Leo Sayer, Tommy Steele, Priscilla and many more... Go here to EIN's 'Taking ELVIS' (Interviews, Source;ElvisInformationNetwork)
'ELVIS: 'Down In The Alley' Opening Night 1974' MRS CD Review: The new MRS single-CD deluxe-set features Elvis’
opening night show at the Las Vegas Hilton Hotel on 19 August 1974 at
the start of his eleventh season, during which he performed an almost
completely revamped set-list.
At no 1970 concert did Elvis perform so many unique songs, ‘Down In The Alley’, ‘Good Time Charlie's Got The Blues’ and debuts of ‘Promised Land’, ‘It’s Midnight’ plus ‘If You Talk In Your Sleep’ and ‘If You Love Me (Let Me Know)’. ‘Softly As I Leave You’, ‘My Baby Left Me’ and ‘I'm Leavin'’ - It was an astounding Opening Night.
For the first time ever, the original recording has been newly remastered and mixed into STEREO. The original cassette always sounded rather dull and muffled whereas live concerts are a visceral, exciting experience. They are spatial and energising which is not recreated via mono recordings, they need to be STEREO and dynamic. These MRS concert releases help drag the dullness into the light. EIN's Piers Beagley provides an in-depth review of this recent MRS release (CD Reviews, Source;ElvisInformationNetwork)
V V - - Other EIN ELVIS treats continue below - - V V
'1969 LIVE! The King Returns' Westgate Review: Last Thursday July 31st 2025, The Westgate (previously International / Hilton) presented the 1969 Live Concert 'The King Returns' as a special one-night-only concert event to celebrate Elvis' 'Return to Splendor' on July 31 1969.
EIN's Las-Vegas correspondent Daniel Siciliano was there for this great night and sent in his report.
... What a great time last night, re-living the Kings famous return to the stage on July 31st, 1969.
The Westgate pulled out all the stops to create an incredible, one night only event. It was like stepping back in time to that warm summer Vegas night 56 years ago.
Just pulling up to the hotel and seeing the marquee proclaiming “1969 LIVE!” was enough to give goosebumps. The hotel was jam-packed with fans, young and old alike.
The showroom had “1969 Live!” projected on the stage curtain with large video screens on each side proclaiming “International showroom”.
Elvis' girlfriend Mindi Miller was in attendance and she looked very classy. Hard to believe she is 75! Jerry Scheff was in the audience, as was Elvis drummer Jermone 'Stump' Monroe.
The show started just like we have heard on CD from the ‘69 concert recordings with the blast of drums and straight into 'Blue Suede Shoes' and a rockin' 'I Got A Woman'.
Tribute artist Travis Powell was dressed in an exact replica of Elvis' famous two piece black outfit.
Travis is definitely a master at his craft. He had the moves, the look and the voice to pull this off. The band was on point, tight and sounded great.
The backup singers, neatly matching Elvis' original line-up, also sounded so good. Travis performed the exact setlist from the opening night, kissed a hundred girls and the audience was really in to it.
Many came dressed in vintage late 60’s outfits.
They way they integrated Elvis' actual voice into the performance was very well done.
Even Elvis' "Monologue" was cleverly handled..
Travis (Elvis) turned to "Charlie" for some "Gatorade" (they used Elvis' actual voice several times between songs, and yes, the funny Gatorade comments with actual photos were included) and then the stage lights went dim.
Then Elvis' voice comes on and the video screens on either side of the stage says "in his own words" and you hear the genuine Elvis monologue.
As Elvis describes his rise to fame, photos of him were shown on the screens. As a child, Sun records, TV appearances (on Steve Allen in his tux singing to a Hound Dog), in the army, movie posters.
Then the lights came back up and Travis went into "Baby, What You Want Me To Do". It was very well done...
He also did a great job with 'Memories', (stating "A song from my recent TV special, which was pretty bad...")
They used a much truncated Real Elvis intro to 'Hound Dog' then Travis hit with that famous "you aaaaaaaaan't nothing but a Hound Dog..." Nicely done! 'What'd I Say' was a fast paced ride with the up and back "aaahhh....ooohhhh" between Elvis and the back up singers. Although the great extended musical riffs in the original were sadly missing. It was way too short!
Travis also did the great 'Yesterday\ Hey Jude' and had the audience chiming in, doing their share of the "Na na na nahs"...A lot of fun!
There were so many fans lined up for kisses during 'Suspicious Minds' that the quieter moments had to be extended while he obliged each adoring fan with a smooch - including a few "close your mouth" by 'Elvis' that had the crowd roaring! This song got a standing ovation. Travis really worked for his money on this one...and the fans let him know!
The finale 'Can't Help Falling In Love' was nicely done, although the dramatic gold curtain no longer adorns the International Showroom.
But since there must have been close to a hundred fans lining the stage, Travis stayed and made sure they all got a kiss or a handshake. It seemed like ten minutes or more.
Then the curtain comes down....and the rest, as they say, is HIStory!
Remember that this special night in 1969 was the very first time Elvis performed 'Suspicious Minds' live for his loving fans. His performance assured everyone that, for Elvis and his fans, nothing would ever be the same again.
After the show, we walked around the hotel.
The had a mini memorabilia and museum set up with many original and reproductions of Elvis worn outfits, jewelry and guitars. Displays of Hotel menus, banners and posters and even a few of those original “stuffed hound dogs” that the Colonel had plastered all over the hotel. They handed out free buttons that said “International Hotel” and the old marquee.
I’m glad I was a part of this special night. I went with some of my younger friends in their late twenties. It’s so cool to see so many more younger people who now, since Baz Lurhman’s movie, are so curious and aware of Elvis the entertainer and musician.
The period after Elvis died through the 1980’s and 90’s, reducing him to nothing more than a “Halloween costume” and a not so flattering image, are gone!
Elvis is now more respected and admired for his body of work than at any time since his passing. His legacy is secured!
Highlights from the July 31 Westgate Celebration Included:
- Two sold-out performances of 1969 LIVE! The King Returns featuring Travis Powell recreating Elvis' original 1969 setlist.
- Free Cabaret Theater show The King Comes Home, with DJ Rob Christie and late-night Elvis performer Cole
- Living Legends Speaking Series with Jerry Scheff (Elvis's bassist), David Stanley (Elvis's Stepbrother), and Mindi Miller (Former Elvis Girlfriend) sharing personal stories and signing autographs
- VIP International Theater and Imperial Sky Villa tours where guests received a very rare glimpse at these rarely seen exclusive locations
- Immersive photo ops and newly unveiled memorabilia displays, including Elvis' red Jailhouse Rock jacket, TCB sunglasses, guitars from Viva Las Vegas and Speedway, plus jewelry pieces never shown to the public before.
I understand that due to the success of this event, they are already selling tickets for a July 2026 festival … Long live the king! - VIVA ELVIS, Daniel Siciliano (News, Source;ElvisInfoNet) - EIN gives special THANKS to our man-in-vegas Dan Siciliano
Two New FTD Releases: FTD have announced two new releases, 'The Last Tours Vol.3' from Elvis 'April-May' 1977 tour, plus 'Harem Holiday' special double-vinyl set.
'Elvis: The Last Tours Vol. 3'.
As part of its ongoing live on tour series, FTD announces the release of “Elvis: The Last Tours Volume 3”.
Released as a 3-CD 5” digipak, this set features six shows from Elvis' third tour of 1977.
The concerts were not recorded in their entirety, but all songs recorded by the engineer are included. Recorded in mono.
The six concerts included are April 23 Toledo University; April 24 Ann Arbor Crisler Hall; April
26 Kalamazoo Wings Stadium; April 27 Milwaukee Auditorium Arena;
April 29 Duluth Arena; April 30 St. Paul Civic Center.
EIN NOTE: FTD have not yet released any soundboard from this tour but they
included several songs from RCA multitracks on their 'Spring Tours 77' compilation. Little Sister, Teddy Bear/Don’t Be Cruel, Help Me, Unchained Melody & Little Darlin' (Ann Arbor, April 24) Heartbreak Hotel, & My Way (Saginaw, April 25) If You Love Me (Let Me Know), O Sole Mio/It’s Now Or Never (Kalamazoo, April 26). Polk Salad Annie (Milwaukee, April 27)
Bridge Over Troubled Water, Big Boss Man (Duluth, April 29), Hound Dog (St. Paul, April 30), Fairytale (Chicago, May 2), Mystery Train/Tiger Man (Saginaw May 3)
Bootleg collectors will already own the following soundboards..
April 23 1977 Toledo - on the 'Goodbye Memphis' - April 24 1977 Ann Arbor - on 'Shakin' Up The Great Lakes'
April 26 1977 Kalamazoo - on 'Shakin' Up The Great Lakes' & 'Memories From Kalamazoo' The other FTD soundboards have never been previously released.
Note 'The Final Curtain' bootlegdid however feature the Closing Night's May 3 Saginaw show which included a surprise 'That's All Right' and even an attempt at 'Trouble' .. That soundboard is not included on this FTD set.
See 'FTD / SONY CD News 2025'for the full tracklist and details
'Harem Holiday' Special FTD VINYL: FTD continues its 'Limited 2-LP Special Movie Editions with the double-vinyl 'Harem Holiday'.
This features the superior newly mixed masters and outtakes, the cover finally shows Elvis in his proper profile! The original RCA album had this photo flipped around.
This unique companion edition is based on the original British release with the red dot RCA Victor label.
This will be the best-sounding and best-looking vinyl version of Harum Scarum / Harem Holiday ever.
Includes all the masters and 'Best of' outtakes
‘Elvis Evolution’ The controversy: The UK media this week is obsessed with the new ‘Elvis Evolution’ show in London. Of course EIN has supplied its own reports -see below.
There was a neat summation this week - 'Elvis Evolution’ has opened to a storm of controversy. But why? And is it deserved?' - from Andrzej Lukowski, Time Out’s theatre editor.
The article included...
.. I didn’t go in with any particular expectations of what it would involve and personally I had a decent time, with some reservations. But I thought the first half was perfectly enjoyable: slick, reasonably informative, and I didn’t have any problem with it focussing on Elvis’s childhood best friend Sam Bell as a way to take a different look at The King.
The focus of the second half is Elvis’s legendary '68 comeback special. Stood milling around waiting for the ‘live performance’, it was here that I first realised a portion of the audience was on the cusp of mutiny: a lot of them clearly hadn’t
enjoyed the first half, and were muttering to each other that they were hoping for something spectacular from the concert section, with at least two groups in my earshot referencing the blockbuster 'ABBA Voyage' experience'. 'Elvis Evolution' is in fact nothing like ABBA Voyage, or not much like it: we get a trio of live musicians playing along to highlights of the 1968 TV special, which have apparently been sharpened up digitally for the big screen but basically look like a blown up version of something you could easily watch on YouTube. Some of my fellow audience members were not happy. Some booed. Some left early. Many did look like they were having a good time – the ’68 special is a really good performance – but it is rare to hear what I might call a theatre audience so audibly disgruntled.
Fast forward a couple of days and the show is in real danger of getting framed as an unmitigated disaster. But is that fair?
- To be clear, there was never going to be an ABBA Voyage -style Elvis experience. That show requires a special dedicated concert arena, millions of pounds of tech development, and moreover the enthusiastic participation of ABBA themselves, who are all still alive. Elvis famously left the building decades ago.
- When the show was announced way back in January 2024, ‘holographic projections’ were promised, in at least one interview by Layered Reality's Andrew McGuinness.
- Perhaps more relevantly, it’s probably true to say that ABBA Voyage has not only massively raised the bar for expectations of a concert experience from a defunct musical act, but it’s virtually become the sole reference point. If ABBA Voyage didn’t exist, I have a feeling Elvis Evolution would have got a much less rough ride.
- Elvis Evolution starts at £75 a ticket. This doesn’t stack up horribly against West End stalls prices, but it’s a lot for a show that doesn’t have anyone famous in it and leans heavily on pre-recorded sections. It’s very difficult to look at the VIP packages and conclude that they’re good value: both the £180 Burning Love package and £300 If I Can Dream package offer little more than around £40 worth of cocktails, a bit of reserved seating, and a few miscellaneous souvenir bits.
- In all honestly I thought it was a decent piece of immersive theatre. I should also say that the people booing were a minority and that the peak of disgruntlement came when it became apparent that the ‘concert’ would simply be the special: my audience seemed a lot happier by the end and had mostly enjoyed the band augmented playback of the special.
Nonetheless, it’s hard to imagine the current backlash will help Elvis Evolution, and some sort of rethink is surely in order if it’s to make to the end of its current December booking period.
- - - See full article here. (News, Source;TimeOut/EIN)
The Elvis Evolution debacle continues with one performance shut-down due to "hostile audience reactions" and the BBC headline "Elvis experience branded 'atrocious and misleading'"
This is not what partner EPE needs to help keep Elvis' legacy burning bright - and not what any Elvis fan wants to see as a newsworthy headline.
Below EIN provides a positive review from a serious Elvis fan - while also checking the negative headline news...
'Elvis Evolution' a Positive Review: On opening night Ed Gibbs, Elvis super-fan and EIN's media correspondent in London, attended Elvis Evolution. He went with his 8-year old daughter and they had a fine time getting immersed in the world and music of Elvis.
- Here is his report..
... With sky-high VIP ticket prices – and the hoopla surrounding the much-mooted AI – it’s easy to miss the point of this new show sanctioned by the Elvis estate.
Yes, Elvis Evolution is far from an 'ABBA Voyage'. It’s nothing remotely like it – rather, it’s an immersive theatre experience, a Secret Cinema-type journey told through the eyes of Elvis' childhood best-friend, Sam Bell.
With a fresh, somewhat sanitised version of events, and a nod to Baz Luhrmann's 'ELVIS', this is likely designed in part at addressing the white appropriation charge that's dogged Presley for years. If so, it is welcome.
It opens and closes with the glorious back-to-basics of the '68 Comeback Special, recreating
the NBC Studios from the summer of 1968 with four key actors playing multiple roles.
In a separate room, the road from Tupelo to Memphis with all the musical and cultural influences that were burned into Presley’s DNA is well told by a lively cast, in an expansive train carriage setting that’s slightly too long.
An intermission in a Blue Hawaii-themed cocktail bar merely fuels expectation for the big show (Colonel Tom Parker would surely have approved).
In the initial publicity there was a suggestion that fans might have to wear 'VR' headsets for parts of the event, but this isn't the case.
When the audience is finally led into the recreated NBC studio, no-one knows what to expect. Yes, there is little in the way of discernible AI, bar a brief dressing room sequence, where we see a leather-suited AI Elvis attempting pre-show nerves via a mirror.
The hologram idea was apparently ditched long ago (perhaps the cost was too great, the estate got cold feet, or more-likely the company couldn't deliver on-time).
But when the multi-screen, live-band experience kicks in (familiar to anyone who has experienced the Elvis in Concert shows) the effect is palpable.
It is possible that the video is 'newly enhanced' but then again the 2018 cinema upgrade also had a stunning impact.
Elvis rocks the house in black leather on a myriad of screens, rattling through his '50s hits with Scotty Moore's electric in his hands.
This stunning segment lasts around 30-40 minutes with a mix of 'Sit-down' and also 'Stand-up' performances (eg Blue Suede Shoes, with Jailhouse Rock as the encore)
The pre-encore finale of 'If I Can Dream' is as hauntingly powerful as ever.
The main show ends with Elvis doing the 'Thank You, Goodnight' mic drop and on opening night the crowd loved it.
And so did I! 'If I Can Dream' especially - being so all-encompassing and powerful - Wow.
Could they have ramped up the use of AI? Of course, although I am relieved they didn't.
Should they have deployed a hologram as the show's centrepiece? Probably, given the way the show was originally pitched to media.
It certainly feels like it's been marketed as one thing, then executed as something else. I took my eight-year-old daughter along and we had a blast, as did the rest of the invitees at the show's gala opening night.
Much of the initial East London run is already sold out, and I suspect it will travel on. But they do need to sort out their messaging – and their VIP ticket prices – to get buy-in from audiences and fans.
Enough of the AI, already. This is Elvis immersive theatre, pure and simple – and there is nothing remotely wrong with that. (News, Source;ElvisInfoNet) - With EIN special thanks to Ed Gibbs.
Paul Bélard - An impressive publishing record: With around 40 Elvis books already published, prolific author-researcher, Paul Bélard, has established a cult following with his mix of "day-by-day" photo-books and subject specific releases focusing on controversial and important parts of the Elvis story.
The books are chock full of contextual narrative and hundreds of photos and rare archival material.
Over the first half of 2025, Paul has already published seven titles!
Bélard explains, "It's a thrill every time I discover an Elvis picture that I had never seen before, even if the quality isn't perfect. Through my books I want fans to be able to follow Elvis day-by-day, sometimes hour-by-hour. These books are historical documents, a scholarly study of Elvis’ career." In Nigel Patterson's feature article, EIN provides details on the latest Paul Bélard releases, a full list of his Elvis books (including links to titles reviewed by EIN), background information about Paul – plus links to two interviews we have conducted with him. (Spotlight, Source:ElvisInformationNetwork)
(Book Review) 'Elvis: April - May 1958': The new Elvis "day-by-day" photo-journal release from Paul Belard, "Elvis April-May 1958 " is out now.
Over 208 pages, and with more than 200 photos, the book looks at Elvis' first two months in the army
These two months would have been the most traumatising for Elvis. None of us can imagine his real feelings as Elvis went from being the world’s biggest entertainer to becoming a regular soldier doing group exercises, sit-ups, marching, shoe cleaning, ‘K.P’ and all the time not knowing what the next two years would bring.
While Elvis would spend these months doing basic training, it would be his interactions with his army mates and the general public that help enrich our knowledge of the kind of person Elvis really was.
With plenty of books presenting the wild-side of Elvis the superstar-performer in 1957, in 'April - May 1958' it's revealing to see more of the "real Elvis."
'Elvis UK Compact Vol.3' OUT NOW: The third and final volume in John Townson and Gordon MInto's Elvis UK
Compact "softcover" series is now available (Elvis UK Compact was originally published as a digital book).
The price is £50 (which for UK customers includes p&p costs)
Irrespective of where you live in the world, everyone who has bought all three volumes will automatically receive a free CD comprising 23 tracks.
Please note while copies of the first two volumes of Elvis UK Compact are still available, the stock levels for them are running low.
.. "Why do the girls go for Elvis? I'm no judge of that, of course! But I'd guess it's because he has very sensuous eyes and lips.
Elvis doesn't care what people think. And he's not bashful. He'll walk up and talk to anybody. Elvis is completely unorthodox, and unpredictable. As he puts it, "If you wanta’ get ahead, you gotta be different!" And he means it.
With other performers, you can predict pretty well what the act is going to be when they step on a stage. Not with Elvis."
'The Harum Scarum Sessions' Box-Set FTD In-Depth Review: 'The Harum Scarum Sessions' is the 14th FTD “complete sessions” release and is noted as the 60th anniversary edition!
The Deluxe 3CD set includes a 24-page booklet featuring a look at the movie, Sessions Data, foreign film posters, worldwide premieres plus chart listings and 45 and 33rpm sleeve covers.
All the masters and session outtakes are newly mixed and mastered by Sebastian Jeansson and Vic Anesini for superior audio.
Includes over 60 previously unreleased outtakes including 30 of 'Shake That Tambourine' (lucky us!), plus new outtakes of 'My Desert Serenade', 'Wisdom Of The Ages', 'Kismet', 'Hey Little Girl', 'Golden Coins', 'Animal Instinct' - plus new backing tracks. The Beatles sang 'Norwegian Wood' - Elvis 'Wisdom Of The Ages'!
While Harum Scarum could be the real point that Col Parker started letting Elvis down - for fans that enjoy that crazy middle-eastern vibeHarum Scarum should be great fun. EIN's Piers Beagley checks out this new set to investigate whether collectors need quite so much Harum-Exoticness...
(FTD Review, Source;ElvisInformationNetwork)
MRS 'From Elvis In Memphis – Recorded Live 1974' CD & Vinyl: UK Label ‘Memphis Recording Service’ (MRS) continuing its 20 year anniversary (2005-2025) will release ‘From Elvis In Memphis – Recorded Live 1974’ as a CD Deluxe set and 2LP Gatefold sleeve in both black and clear vinyl -
Release date September 2025.
This 2CD set will include two performances from his hometown of Memphis. The first concert is from March 16th, 1974 (Afternoon Show), marking his return after 14 years, followed by a second concert on March 17th, 1974 (Evening Show). - - - (click for high-res)
The original recording has been remastered and mixed into STEREO, probably the best mix by MRS thus far and almost identical to the March 20 closing show originally released by RCA.
The accompanying booklet contains rare photographs and memorabilia from the event, along with liner notes that provide context and background information.
The 2LP set featuring only the 16th March opening show will be available in both Black and Clear vinyl.
Please note, the clear vinyl is ONLY available from exclusive Elvis dealers and fan clubs and NOT thru mainstream public stores.
CD1 & VINYL – 16th March 1974 (Afternoon Show), Memphis Tn
1. Also Sprach Zarathustra
2. See See Rider
3. I Got A Woman/Amen
4. Love Me
5. Tryin’ To Get To You
6. All Shook Up
7. Steamroller Blues
8. (Let Me Be Your) Teddy Bear/Don’t Be Cruel
9. Love Me Tender
10. Johnny B. Goode
11. Hound Dog
12. Fever
13. Polk Salad Annie
14. Why Me, Lord?
15. Suspicious Minds
16. Band Introductions
17. I Can’t Stop Loving You
18. Help Me
19. An American Trilogy
20. Let Me Be There
21. Funny How Time Slips Away
22. Can’t Help Falling In Love
23. Closing Vamp
CD2 – 17th March 1974 (Evening Show) – Mid-South Coliseum
1. Also Sprach Zarathustra
2. See See Rider
3. I Got A Woman/Amen
4. Love Me
5. Tryin’ To Get To You
6. All Shook Up
7. Steamroller Blues
8. (Let Me Be Your) Teddy Bear/Don’t Be Cruel
9. Love Me Tender
10. Johnny B. Goode
11. Hound Dog
12. Fever
13. Polk Salad Annie
14. Why Me, Lord?
15. Suspicious Minds
16. Band Introductions
17. I Can’t Stop Loving You
18. Help Me
19. An American Trilogy
20. Let Me Be There
21. Funny How Time Slips Away
22. That’s All Right
23. Can’t Help Falling In Love
24. Closing Vamp
(News, Source;MRS/ElvisInfoNet)
Elvis June 26, 1977; the Final Curtain: On this very day June 26 in 1977 Elvis played his very last concert at Market Square Arena Indianapolis.
It was his longest and his very best performances of 1977.
..Elvis stepped on stage with energy that was a relief to anyone and the audience burst into an instantaneous, collective roar that was explosive and deafening. Anyone who questions Elvis' power over his audience needs only to listen to the opening of this concert to see the proof of his command.
Compared to the truly weak performance that CBS TV had filmed only one week previously, this was a healthier, happy and focused Elvis who was determined to put on a great and memorable 'Closing Night' concert.
June 26 is an important day to reminisce and also consider just how much happiness Elvis Presley brought to us all as a performer. EIN's Piers Beagley checks out this historic performance (Spotlight, Source;ElvisInformationNetwork)
Anthony Stuchbury interview about the new RDM 'King Creole' soundtrack release: In September 2025, RDM are releasing the King Creole soundtrack in stereo on VINYL & CD.
RDM first announced their mono-II-Stereo'King Creole' 10” vinyl and later on the 16 track special King Creole original soundtrack CD.
This release - which includes movie versions of five songs which haven’t officially been available elsewhere - was remixed and sequenced by producer Anthony Stuchbury.
It was produced in collaboration with David Parker and RDM-Edition.
The original RCA King Creole album tracks were previously released in stereo on the RDM set 'Essential '50s Masters' and so EIN wanted to know more about this brand new set and what fans can expect... EIN's Piers Beagley asked the questions.. (Interview, Source;ElvisInformationNetwork)
King Creole was potentially going to be released next month but unfortunately it has now been delayed until September 2025
'ELVIS PRESLEY In CONCERT' Baz Luhrmann movie:'ELVIS' director Baz Luhrmann has posted more info about the new Elvis movie that he has been working on. (click for high-res)
He wrote about his recent Sony Showcase launch..
.. What an experience last night at the Sony Music Vision Content Showcase! Starting with a wonderful sneak of the Barbra Streisand project by Frank Marshall and a dazzling Lisa documentary by Sue Kim.
But of course, the one and only ELVIS closing out the show to rapturous applause!! 'EPiC' rocked the house - I thought I’d
share with you all what I said last night…
During the making of ELVIS, we went on a search for rumored unseen footage from the iconic 1970s concert films Elvis: That’s The Way It Is and Elvis on Tour. My initial thought was that we may be able to restore the unused footage (if we could find it) and use it in our Elvis feature, starring Austin Butler. I had researchers go into the Warners Bros. film vaults buried in underground salt mines and, to the astonishment of all, we uncovered 68 boxes of film negative, as well as unseen 8mm footage. It has taken two years to restore the footage to a quality that it has never been projected at previously, while the team had to meticulously claw back sound from the many, unconventional sources that were also unearthed.
One of the great finds has been unheard recordings of Elvis talking about his life and his music. It was this that gave the inspiration for EPiC: Elvis Presley in Concert, which is not specifically a documentary, nor a concert film: Elvis takes the audience through the journey of his life, weaving never-before-seen footage with iconic performances that have never been presented in this way, from the 1970 Vegas show, on tour in 1972 and even precious moments of the 1957 “gold jacket” performance in Hawaii.
Most importantly, Elvis will sing and tell you about his life in first person, through both classic and contemporary musical prisms.”
No release date has been suggested as yet (News, Source;Baz/EIN)
'ELVIS: Live At Houston Astrodome 1974' MRS CD Review: The new MRS single-CD deluxe-set contains Elvis’ major performance at one of the USA's biggest venues, The Astrodome, and for the first time ever presented in STEREO.
The Houston show is a truly important performance since there was no room for the usual orchestra and so it was just Elvis, the TCB band and backing-vocalists.
This made the concert completely unique with Elvis not only having to be truly focussed – there were no kiss-the-girls interruptions – and the whole team had to produce a powerful sound, big enough to impress the distant crowd in the massive stadium.
Of all the performances that MRS have released in STEREO this Houston concert is one of the most impressive, demonstrating the power of Elvis and the band in concert that had been previously hidden in the earlier lesser quality mono releases. EIN's Piers Beagley provides an in-depth review of this recent MRS release (CD Reviews, Source;ElvisInformationNetwork)
The publicity notes... Elvis died on August 16th, 1977, at the age of just 42, in his Graceland mansion. His death marked something significant in the collective mind, like the assassinations of John F. Kennedy, Robert Kennedy, or Martin Luther King.
Conspiracy theories took off about the circumstances surrounding his death: Was Elvis murdered by the mob? Was his death faked? Did Elvis commit suicide? Is he still alive? This book sheds new light on many of these questions, while also celebrating his music and legacy.
'Elvis: June 75' In-depth FTD Review: A new 4CD digi-set 'Elvis June 1975' featuring soundboards of four shows
from Mobile A/S June 2, Houston E/S June 5, Shreveport A/S June 7 and
Jackson A/S June 8 1975.
Disappointingly for collectors all the performances on this new FTD set have been out on bootleg before. However, with the barrel almost bare, there has to be plenty to enjoy in these mid-75 performances.
After all, After all, "This mid-1975 period was a positive return for Elvis. Elvis' good mood throughout is truly infectious and along with his well-sung and committed performances they all go to making these concerts worth listening to."
At the Houston Evening Show Elvis was buzzing with energy, while at the Jackson Afternoon Show the flies were buzzing Elvis! There is plenty of fun to hear and it was always a very fine set-list. Elvis soundboard super-collector Geoffrey McDonnell along with EIN's Piers Beagley explore this new set.... (FTD Reviews; Source;ElvisInformationNetwork)
The book description explains...
.. This biography delves into the remarkable life of Elvis, exploring his family background, music career, films, and enduring legacy. Includes QR-Codes for an immersive reading experience.
The author has transformed this biography into an interactive experience like never before. By integrating QR codes throughout the book, readers can instantly access videos and other multimedia content on their mobile devices. This innovative approach makes the biography not just informative but also engaging, immersive, and dynamic, bringing Elvis's story to life in a whole new way.
EIN’s Nigel Patterson spent a leisurely Sunday immersing himself in Lee Jackson’s account of the Elvis Presley story. .. Read Nigel’s review...
'The Girl Happy Sessions' Box-Set FTD In-Depth Review:'The Girl Happy Sessions' is the 13th FTD “complete sessions” release.
This 3-CD set contains all the masters and available session outtakes. Highlights include unedited full-length masters and also the rare vocal re-record of 'I Feel That I’ve Known You Forever' especially made for the motion picture 'Tickle Me'.
This set includes previously unreleased takes of 'Puppet On A String', 'The Meanest Girl In Town', 'Girl Happy' (multiple long 'False starts'), 'Cross My Heart And Hope to Die' (multiple long 'False starts'), 16 new outtakes of 'Spring Fever' - and all 36 takes of 'Do Not Disturb' (only 6 outtakes have been released so far!).
So there is a lot of previously unreleased studio session eavesdropping in this release, in fact over 80 new outtakes.
The package also includes a comprehensive 24 page booklet.
The Lisa Marie – The King’s Flying Graceland (Carlos Varrenti): The latest book from aviation expert and longtime Elvis fan, Carlos Varrenti, is now available from Amazon stores.
The author commented on his new book: “In the world of music, few names resonate as profoundly as Elvis Presley's. While "The King of Rock 'n' Roll" is celebrated for his legendary music and iconic performances, there exists another dimension to his life that has long captivated me: his enduring romance with the skies.
“In my previous editions of "The Airplanes & The King," I embarked on a journey to explore Elvis's remarkable aviation adventures. I delved into the aircraft he chartered, purchased, and occasionally flew, providing a glimpse into his fearless exploration of the world of flight. Yet, with each passing edition, I couldn't help but feel that there was a significant piece of the puzzle left unexamined as deserved—the centerpiece of Elvis's aeronautical legacy: The Lisa Marie.”
The 550-page hardback is filled with fascinating information, photos, flight plans, Lisa Marie plane technical details, Lisa Marie airplane memorabilia, and stories by those who flew the plane ("Anyone for a sandwich?") and those who flew on it with Elvis.
The author, whose university degree is in Aeronautical Engineering, previously released the acclaimed book, 'Elvis Presley The Airplanes & The King'. -- Read EIN’s recent interview with Carlos Varrenti (News, Source: Carlos Varrenti; EIN)
'Elvis Book News' New EIN feature: Elvis Presley's influence and legacy has touched every kind of publication and media platform since he became the world's most successful entertainer of all-time back in the 1950s.
This year would have been Elvis' 90th birthday and thanks to RCA / SONY / FTD / MRS, along with the bootleg labels, nearly every minute of music that Elvis ever recorded has now been released. In this century Elvis Presley has now become even more of a pivotal role as part of our socio-cultural fabric... his impact / influence is greater than just his music.
Nowadays fans find more literature about Elvis and his legacy being published than 'new' music.
EIN's “Elvis Book News” will focus on book reviews, news and also the eclectic nature of Elvis' influence across all forms of literature.
Check out our new “Elvis Book News”- more updates coming soon. (Elvis Book News, Source:ElvisInformationNetwork)
'Talking Elvis': EIN's other new feature 'Talking Elvis' is also updated today with new reminiscences from Freddie Mercury, Larry Geller, Mark James and orchestra conductor Bobby Morris.
Meeting ELVIS made an impression on everyone from the poorest fan to the world’s biggest superstars. Even the briefest meeting or chance encounter with Elvis created some lovely memories as well as some fascinating stories.
These smaller encounters often get lost or forgotten and sadly there are fewer and fewer people still alive who had personal encounters with our hero. So EIN has gathered together multiple stories to help us understand and know more. 'Talking Elvis' features reminiscences from people including Elton John, Paul McCartney, Robert Plant, Paul Simon, Cliff Richard, Cher, Linda Thompson, Suzi Quatro, Riley Keough, Ernst Jorgensen, PJ Harvey, Will Hutchins, Dolly Parton, Nick Cave, Billy Smith, Ann-Margret, Barbara Stanwyck, Engelbert Humperdinck, Sam Thompson, Priscilla and many more... Go here to EIN's 'Taking ELVIS' (Interviews, Source;ElvisInformationNetwork)
Book Review - 'Marion Keisker: The Woman Who First Recorded Elvis Presley':Paul Belard's latest book is a detailed account of Marion Keisker's life and her key role in the Elvis story. "That woman was the one who had faith she was the one that pushed me... Marion did it for me" - Elvis Presley 1971 .. Marion was Sam Phillips' assistant when he established the Memphis Recording Service, and later Sun Records.
She is best remembered as the first person to record Elvis in July 1953, then encouraging Sam Phillips (numerous times) to record him "commercially", therefore playing a pivotal role in Elvis' ascent towards the pinnacle of his career.
Throughout interviews given, Marion discloses the workings of Sun Records, the sessions, Elvis' moods during those first days of his career. There is a trove of little known or unknown anecdotes many fans will delight in.
This book is a fitting and well-deserved tribute to Marion Keisker.'
'Elvis UK3' is an outstanding reference e-book, there is however a keen section of Elvis collectors who prefer to own physical books as opposed to digital versions.
While the original 1,400 page book was too large to print as a single volume, the author’s idea of splitting it into three volumes is a very clever idea.
Leafing through these 478 printed pages of 'Compact Volume 1' gave us another reason to dig deep into Elvis’ CD legacy and enjoying the fascination of some stunning Elvis releases.
'Elvis Last Tours Vol.2' In-depth FTD Review: FTD's 3-CD 5”digipak 'Elvis: The Last Tours Volume 2' features recordings from six Elvis performances in March 1977, Norman OK March 25 & 26 , Abilene Tx March 27, Austin Tx March 28 and Alexandria LA March 29 & 30.
By 1977 Elvis was running on low, his set-list had become stagnant and fans were lucky to hear Elvis perform any rare song in his predictable set-list.
Elvis was not in good health, had been rowing with girlfriend Ginger Alden and the last four dates of this second tour of 1977 had to be cancelled.
So one has to ask how much do you enjoy Elvis’ performances in 1977? Five of these soundboards have never been released before and it is Elvis’ Abilene concert that is the real highlight.
Of course, if you are a collector who appreciates Elvis in 1977 then this set might be perfect for your collection. Elvis soundboard super-collector Geoffrey McDonnell along with EIN's Piers Beagley explore this new six concert pack in-depth to see what fans might discover.. (FTD Reviews; Source;ElvisInformationNetwork)
More praise for 'Elvis Hero of the Comic Books':Written by EIN’s Nigel Patterson (with “over and above” help from Elvis Day By Day’s, Kees Mouwen) the first in-depth record of Elvis in comic books, graphic novels and cartoons, was published earlier this year.
Reviews have been glowing since day one, the latest including a four-page text and image overview in It’s Elvis Time magazine (Netherlands) and a detailed review in the cult rock & roll magazine, Ugly Things (based in California).
'From Here to the Great Unknown’ Book Review: After all the publicity and hype Lisa Marie's revealing memoir has recently been published. There is no doubt that being part of a famous family certainly does not guarantee a happy life.
As Keough explains, “The early parts of the book are mostly my mother's voice, in the tapes she speaks at length about her Graceland childhood, the death of her father, the dreadful aftermath, her relationship with her mother, her difficult teen years. She’s frank and funny about my father, Danny Keough. She talks openly about her relationship with Michael Jackson. She’s painfully candid about later drug addiction and the perils of fame…
If you have ever wondered how Lisa Marie coped with life post-Elvis or noticed those old tabloid news reports saying that she had once again “gone off the rails” or spotted the tension between her and Priscilla, the answers and much, much, more are in this stunning memoir...
While Elvis died when Lisa Marie was only 9 years old there is still plenty new to discover from this intriguing book.. EIN's Piers Beagley checks out this powerful memoir, wonders why the Australian book has been edited - and discovers the delights of the Audio-Book..
(Book Reviews: Source;ElvisInformationNetwork)
(Spotlight/Opinion, Source: Rock and roll - an introduction)
'ELVIS / MEMPHIS' In-depth Review: The SONY RCA 'ELVIS / MEMPHIS' 2024 5-CD box-set was released last month.
The publicity promised.. "MEMPHIS is a comprehensive collection that takes listeners through the many recordings Elvis had done while in Memphis - from his songs at SUN Records, to his American Studio and Stax sessions, through to his 1974 hometown show and finally, his last recordings in Graceland.
This 5-CD collection of Elvis’ songs over the years features 111 tracks, 88 of which are newly mixed versions of the select recordings, pure and without overdubs."
The five CDs each focus on SUN Records, American Studios, Stax Studios, LIVE Mid-South Coliseum Memphis and Graceland. Elvis fans have of course bought these tracks multiple times before and FTD have even released most of the "Undubbed masters".
However with 'ELVIS / MEMPHIS' engineer Matt Ross-Spang remixing these crucial recordings, often creating something unique and new for 2024 and there is much to enjoy.
In fact listening to this set is like a five-course 'MEMPHIS degustation' since every individual recording session has a different flavour and vibe. . Go here as EIN's Piers Beagley provides a 5,500 word review checking out every track to reveal what new excitements fans might discover..
You can also 'Have Your Say' - what did you like or dislike about this new release? NOW UPDATED with Readers comments. (CD Reviews, Source;ElvisInformationNetwork)
(Book Review) Elvis, Hero of the Comic Books (Nigel Patterson): Respected Elvis author and reviewer, Gordon Minto, recently put on his reviewer’s cap to take on what he rightly describes as “a strange landscape” of how Elvis is portrayed in comic books (aka sequential art), a subject, which until now, has not been well covered or understood.
The book in question, Elvis, Hero of the Comic Books, was written by EIN’s Nigel Patterson and sublimely designed by Elvis Day By Day’s, Kees Mouwen.
The book includes stunning artwork from a number of releases and an eclectic variety of Elvis related comic book ephemera. Elvis, Hero of the Comic Books features more than 600 images!
Read Gordon’s detailed review to discover why he found the book to be “refreshingly different, extremely eye-catching, well-researched and well-written, while offering a new slant on things”.
(Book Review, Source: Gordon Minto;ElvisInfoNet)
'Elvis: Stateline SAHARA '74' FTD In-Depth Review:'ELVIS: Stateline Sahara 1974 Lake Tahoe' released as a 3-CD 5” digi-pak
features three previously unreleased performances from Elvis' third
Lake Tahoe season -
May 19 (Evening show), May 20 (Midnight show) and May 25 (Midnight show).
Just two weeks before this Lake Tahoe season Elvis had been playing to audiences of over 18 thousand at the Los Angeles Forum, so it is understandable if Elvis sounds a little more on ‘cruise-control’ but being less O-T-T is also a positive in that they sound more intimate.
'ELVIS: At 3am Sahara Tahoe 1973' MRS CD Review: This Deluxe 2CD set features two shows from Elvis’ May 1973 engagement at The Sahara Tahoe in Lake Tahoe, Nevada. Included is a rare 3am charity performance as well as the midnight show from the previous night. Both shows for the first time are presented in stereo.
The accompanying booklet includes memorabilia and rare photos along with liner notes that set the scene.
Despite having to perform three concerts in the one evening, Elvis was feeling inspired and although it was 3am he still treated the ‘Mother’s Day’ benefit more like a Closing Night performance. Elvis was in extremely jovial spirits, teasing the band and adding some crazy lyrics. He also added unique live versions of ‘My Way’, ‘Faded Love’, ‘Funny How Time Slips Away’ and a rare ‘It’s Over’.
With the cassette hiss removed, the musicians and backing-vocals in stereo and Elvis’ vocal raised to the correct level, this MRS release sounds just like an RCA recorded multi-track and is the best representation of the “real Elvis” live in 1973 that fans could hope for. Go here as EIN's Piers Beagley checks out a sensational STEREO Elvis double-pack. (CD Reviews, Source;ElvisInformationNetwork)
Book Review 'The King and The Jester': Elvis author Paul Belard's new "special interest" book all about Elvis and manager Col Parker is out now.
The cover notes, "As this uncultured philistine said of himself, "I did not know what to make of Elvis, or his music. I did not care, but I saw the reaction of the audience says and it was enough for me".Parker promptly realised that Elvis was his own ticket to wealth."
Belard's new 260 page book's twenty three chapters include, 'The Hank Snow Affair', 'The Snowman', 'The Lost Years', 'The Narcissist', 'World Wide Tour', 'What Could Have Been' and 'Exposing The Con Man'.
The author makes his disdain for Parker known from the outset and he does not hold back about what he sees as one of, if not the biggest, travesties and examples of unscrupulous mismanagement, in show business history!
The book is a very strong read and one that is very much a counterpoint to the recently published "rose colored glasses" account, 'Elvis and the Colonel: An Insider's Look At The Most Legendary Partnership In Show Business', by Parker employee Greg McDonald and Marshall Terrill.
Some fans have suggested that Baz Luhrmann’s 2022 ELVIS drama made Parker out to be too much of a cartoon villain but after reading this book the movie looks even more truthful than fans might have believed. ... Go here and read EIN's detailed review by glimmer twins Nigel Patterson and Piers Beagley (Book Reviews, Source;ElvisInformationNetwork)
'Elvis in Print: A Comprehensive Annotated and Illustrated Bibliography 1955-2023 Volume 1' UPDATE: This comprehensive new book was due to be published this month but has been delayed due to editing issues and the discovery of more than 70 new titles and/or editions. A revised publication date for the nearly 500-page book will be announced soon. (non-final cover image pictured)
Compiled and written by EIN's Nigel Patterson, the four volumes of Elvis in Print: A Comprehensive Annotated & Illustrated Bibliography 1955-2023 will comprise around 2,000 pages, with listings for more than 4,000 books and around 2,000 images.
Volume 1 is the first of two detailing English language, “non-fiction” releases. It contains close to 500 pages, listings for more than 800+ titles, book covers for more than 500 listings, and interesting Sidebar articles discussing controversial releases and issues in the massive Elvis book catalog.
Sections in Elvis in Print Volume 1 include:
Academic Releases, Biographies, Compendiums: Catalogs, Discographies, Chart Histories, Interviews... Conspiracy Theories, Elvis and the Colonel, Elvis and the Law, Elvis as Art and Elvis as Religion (including Psychic Experiences and Spirituality)...
The 'Listings' include original releases, subsequent re-issues , (including digital editions) and a book synopsis. 'Elvis in Print' will be published in hardcover, softcover, and Kindle formats. It will be available from Amazon stores (the hardcover edition will only be available in those countries where Amazon offers this format).
EIN will publish more information soon. (News, Source;NP/EIN)
(Film Review) Priscilla – film by Sofia Coppola: While Baz Luhrmann’s major hit film in 2022, Elvis, was a colorful narrative and frenetic musical explosion, in 2023, Sofia Coppola’s, Priscilla, is more subdued, but still a colorfully hued and musically expressive story.
Coppola is an acclaimed filmmaker and director. Thematically, her films explore themes of identity, isolation, and the complexities of human relationships, and these underscore, Priscilla.
EIN’s Nigel Patterson recently watched the film that has divided the Elvis world.
Now updated with EIN READER comments...
We have had plenty of general negative feedback but also some lengthy and rather interesting discussions on the film.. EIN is also interested in hearing YOUR comments on the movie. (Film Review, Source:ElvisInformationNetwork)
CD Review 'The Joan Deary Tapes Vol1' - and has Ernst won the war?’: Two years ago EIN posted an article suggesting that the Elvis bootleg era was over, that FTD and Ernst Jorgensen had truly won the war.
So it was a surprise to many that a new bootleg label ‘Joan Deary Inc’ suddenly popped up two months ago promising a very similar series of releases to the Madison ‘A Legendary Performer’ set.
They promised "Unique content... with never issued before outtakes. Some very different mixes among other glorious sounding tracks. Every track comes in great sound quality and has been remastered for optimal listening pleasure..."
EIN was suspicious from the start - to be honest I saw no need to purchase this CD - but several EIN readers wanted to know more before they put down their hard earned cash. Go here as EIN's Piers Beagley investigates to see if there is life in this new series of Elvis bootleg releases... Please read this before ordering we've done the work so that you don't have to! Now UPDATED with YOUR comments (CD Reviews, Source;ElvisInformationNetwork)
Don't miss out on one of EIN's most-viewed and controversial interviews of all-time - Mike Stone tells all.
EIN Interview with Mike Stone: Mike Stone has had a long and successful career in athletics, in the entertainment business, as an author, sports instructor, bodyguard and personal fitness trainer.
Mike Stone was also a key figure in the emotional roller-coaster that described Elvis and Priscilla Presley's lives in the seventies. In this exclusive EIN interview Priscilla's ex-partner, karate champion and author talks about his amazing life, including... - Meeting Elvis and Priscilla
- Hawaii, Elvis and Karate
- Being Phil Spector's bodyguard
- Sitting next to John Lennon recording
- Priscilla and karate
- Fans blaming him for Elvis' marriage split-up
- Elvis putting a "Hit" out on him
- Finding peace in the Philippines
- His new autobiography
Don't forget that EIN's Elvis Facebook page regularly features fabulous RARE newly discovered photos of Elvis. This month EIN celebrates our 45,000 members! - including several of Elvis' own friends and colleagues So Elvis fans don't miss out on these rare and exciting photographs.
Now with over thousands of great photos, News and with more added every day – including YouTube footage.
Elvis LIVE Aug 23, 1969 Album Review + Elvis Concert Review 1969: ..."The atmosphere throughout the entire hotel was nail-bitingly electric! It is difficult for me to describe and paint a true portrait of attending in person this unique occasion - Elvis' Return to Splendor LIVE in 1969 - but I'll try my best. I want, and hope, you will understand the excitement of what has to be the pinnacle of Elvis' career to date!" Joan Gansky was lucky because not only was she in the audience for Elvis' TV musical renaissance of the '68 NBC Special but she also saw Elvis at his most dynamic - first at his August 22nd 1969 Midnight Show and then the following night at his August 23rd Dinner Show. Joan Gansky has written this insightful and emotional article for EIN in 2019, fifty years later, looking back at this special event from 1969 as well as providing her review of the new RCA vinyl album of the August 23rd Dinner Show. One of EIN's most important articles we have ever published- Go here for Joan and Paul Gansky's incredible articles and exclusive photos
(Review/Spotlight, Source;ElvisInformationNetwork)
'What was Elvis searching for?' EIN Spotlight: The question is raised – but never answered – in the title of HBO’s recent absorbing, imperfect documentary 'Elvis Presley: The Searcher'.
At the start it seems clear what the teenage Elvis was searching for – an escape from the oblivion of poverty in the American South. Yet his quest was cultural as well as financial.
Later Elvis read obsessively, seeking out such books as The Impersonal Life, Joseph Brenner’s guide to self-discovery and Kahil Gibran’s book of fables, The Prophet. In his copy of Gibran’s tome, Elvis jotted down the line: “A singer can sing his songs but he must have an ear to receive the song”.
So what exactly was Elvis searching for? In this fascinating EIN Spotlight respected author Paul Simpson takes a close look at this all important question which, for some reason, was basically ignored in the recent HBO documentary..
Mindi Miller Interview with EIN: Mindi Miller was a working actress when she met Elvis in early 1975. She was interested in karate (she performed all her own movie stunts), exploring spirituality and the Bible and so they had a lot in common. Mindi Miller and Elvis bonded over their common interests and soon afterwards he asked her to go on tour with him in April 1975.
She stayed friends with Elvis through the years - along with members of the 'Memphis Mafia' - and attended his funeral.
EIN's Sanja Meegin recently caught up with Mindi Miller to talk about her close friendship with Elvis over the years.
In this fascinating interview she discusses. . . - Her first night with Elvis
- How Elvis persuaded her to cancel her overseas movie & modelling plans
- Their mutual interest in Karate
- Graceland and meeting Lisa Marie
- Attending Elvis' funeral . . . and much much more... Go here for EIN's Sanja Meegin and her intimate and detailed discussion with the delightful Mindi Miller - Now with Reader Feedback.
'Marty Lacker: A Life Well-Lived' & Elvis at American Studio's Interview: It was with immense sadness that last month EIN had to report on the death of our great friend - and a true friend to Elvis - Marty Lacker. We will miss him dearly. Marty is well-known as one of the key members of the Memphis Mafia and also co-Best Man at Elvis' wedding. He was known for both his honesty and being forthright with his opinions. He was the only member of the Memphis Mafia who still watched and commented on recent Elvis News. He had no issue with holding people to account (especially ones who would inflate their importance within Elvis' legacy) and would regularly ask EIN to add his comments or to correct any inaccuracy. Elvis fans often ask about Marty Lacker's background, how he came to meet Elvis, as well as his involvement in the music industry outside of working for The King.
As a prelude to Ken Sharp's fascinating interview with Marty Lacker and a discussion about Elvis' famous American Studio' Memphis sessions, EIN presents "Marty Lacker: a life well-lived" in which Marty tells of his life in the music industry, his friendship with Elvis along with his dislike of the over-controlling Col Parker. Go here to learn all you need to know about Marty Lacker as well as Elvis outstanding Memphis American Sound sessions in 1969. (Spotlight; Source,KenSharp/ElvisInformationNetwork)
'The World of FTD' In-Depth Review: The new deluxe book 'The World Of FTD' has been received by some lucky fans and Elvis collector Mike Lodge has provided EIN with a very detailed review - of well over 3 thousand words! The book was authored and designed by Keith Flynn with input from a large number of other Elvis specialists including EIN's Piers Beagley, EM&HM's Trevor Cajiao, Geoffrey McDonnell, Gordon Minto and many others. It is 1,200 pages, hardbound three book set, chronicling every release by FTD.The book also features 100s of high-quality photos from the collection Erik Lorentzen
KJ Consulting are proud to publish this Box Set which weighs 8 kilos.
Paul Dowling EIN Interview Part Three: Paul Dowling is without doubt one of the major names in the Elvis World. He started collecting and selling Elvis vinyl over 40 years ago and has one of the world's largest Elvis Presley record collections. He started his "WorldWide Elvis" shop back in the seventies, way before the internet, where fans could get hold of rare Elvis records and memorabilia.
With such a fascination with Elvis, Dowling not only became a big name in the early years of Elvis bootlegs but later became friends with Ernst Jorgensen and helped RCA with various official releases.
In the final part of our fascinating interview Paul Dowling discusses .... - Dodging the FBI agents that were sent after him
- Unreleased Elvis material that still hasn’t come out
- Why does Ernst Jorgensen doubt this claims
- His BMG project 'For The First Time Ever' - what happened
- The true story of obtaining the Million Dollar Quartet tape
- His thoughts on Paul Lichter, Sean Saver, Sherif Hanna, Rex Martin
- Spending time with Alan Fortas
- Jim Curtin, newly added story
'Ultimate Elvis' New Electronic Edition: Announced by Elvis sessions expert Keith Flynn for publication November 1 is the brand new concept of the 1750 page super-deluxe Elvis sessions book 'Ultimate Elvis' Electronic Edition.
This incredible three volume book will now be available as an e-book on an i-pad or android tablet. - Created in HTML5
Fully updated e-books will open in any web browser on any operating system, so no need for separate downloads for different operating systems. - Life-Like 'Flipping' Pages
Flip through pages as if you are reading an actual book, but also being able to zoom-in to view smaller images and captions.
- View as Double or Single pages
View as double pages on a computer or laptop etc, and single pages when viewing in portrait on an i-pad or Android tablet. - Fully Navigational Table Of Contents
Jump back and forth to the sections of the books you want to read, instead of flipping through numerous pages to find what you want. PRICED AT - all 3 Volumes for £60 = US$93
On sale from November 1st 2015. Try Before You Buy -
Download free zip-file containing 27 pages from Volume 1, before you decide to buy the complete set. -
NOTE - These books are MASSIVE so you will need approximately 1GB of spare disc space for these three volumes, -
Click HERE to Keith Flynn's 'Ultimate Elvis' Electronic Edition to try.
Go HERE to EIN's independent review of 'Ultimate Elvis' (News, Source;ElvisInfoNet)
Did Elvis Record 'Tiger Man' At Sun?: A question that has puzzled Elvis fans through the years is whether he actually recorded the song ‘Tiger Man’ during his years at SUN studios.
The basic question is why did Elvis refer to 'Tiger man' several times in concert as “The second song that I ever recorded, not too many people heard it”?
And if Elvis DID record it, then why hasn’t any reference to it at SUN or proof of its existence been found?
Elvis would first perform ‘Tiger Man’ in concert at his first 1969 Las Vegas International season and would continue playing it through the years – usually in a medley with Mystery Train - until his last performance at Saginaw on May 3 1977. He would sing it over 150 times on stage! The thought that there might be an acetate or undiscovered tape of Elvis at SUN singing ‘Tiger Man’ is a mouth-watering concept - but is it an unlikely fantasy or strong possibility?
Go here to our detailed 'TIGER MAN' spotlight as EIN's Piers Beagley puts in the hard yards to check the facts from the fantasy . (Spotlight; Source;ElvisInfoNetwork)
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Elvis Presley, Elvis and Graceland are trademarks of Elvis Presley Enterprises.
The Elvis Information Network has been running since 1986 and is an EPE officially recognised Elvis fan club.
EIN is a not-for-profit Elvis Fan Club website posting daily news and informative articles for Elvis Presley's legion of fans.
EIN tries to credit all news sources, as well as link to the original articles if excerpts are used.
If you believe we have used copyrighted material please contact us and we will remove it immediately.
EIN also has a local Australian national Elvis Fan Club for paid up members featuring quarterly newsletters along with free EIN members cds plus an annual EIN Elvis Mega Quiz with special prizes.
The printed newsletters have extra content, articles and reviews to this website along with the popular Elvis EIN Mega Quiz.
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