Black Market Elvis Recordings in the USSR

RIBS / Bone / X-ray records / roentgenizat

Spotlight by Nigel Patterson / Ruben Beekmans

One of the most unusual and least known genre of illegal Elvis records are those clandestinely produced in Russia and its associated eastern European countries from the 1950s to early 1970s.

As western popular music was banned in the USSR (home production of western recordings were officially banned in 1958), the only way to hear new American and British songs was

Variously known as music on ribs, bones music, and x-ray records, they flourished in a black market. The Russian term for bones music is “roentgenizat”.

 

 

EIN Spotlight by Nigel Patterson / Ruben Beekmans (September 2021) 

EIN Spotlight

Black market Elvis recordings in the U.S.S.R. (RIBS/Bones/x-ray records/roentgenizat)

EIN Introduction:

One of the most unusual and least known genre of illegal Elvis records are those clandestinely produced in Russia and its associated eastern European countries from the 1950s to early 1970s. As western popular music was banned in the USSR (home production of western recordings were officially banned in 1958), the only way to hear new American and British songs was Variously known as music on ribs, bones music, and x-ray records, they flourished in a black market. The Russian term for bones music is “roentgenizat”.

Each record was individually pressed on discarded x-ray films sourced from friendly staff and/or waste bins at Russian hospitals.

Many Elvis singles were pressed on x-ray film.

Each single sided x-ray record was cut in real time using adapted phonograph players or machines for making music postcards. A lit cigarette was used to burn the hole in the centre of the record (x-ray). While sourcing a copy of the original record  was expensive and had to be smuggled into Russia, at the time, buying an x-ray record was cheap.

The downside of bones music was that the audio quality was generally poor and the records, being x-ray film, were fragile, and would only last 5 to 10 plays.

The increasing availability of tape recorders led to the end of bones music in the early 1970s.

Today, if you can find an Elvis x-ray record they will set you back between US$50 and US$200. Bone records are occasionally listed on ebay. The records represent a novel element for any collector's Elvis collection.

Further reading/References:

https://en.wikipedia.org/wiki/Ribs_(recordings)

https://www.dazeddigital.com/music/article/32308/1/russia-x-ray-vinyl-music-soviet-union

https://obsoletemedia.org/ribs-recordings/

 

You can just make out "Crying In The Chapel" marked on this x-ray record.

EIN contributor, Ruben Beekmans, has a number of Elvis RIBS records in his collection and wrote this article for EIN:

Elvis Presley, the real (highly illegal) bootlegs - Bone records, Ribs or audio on X-Ray

by Ruben Beekmans, The Netherlands

If you are born in the west there is a big possibility that you have never heard of these records.

So exactly what is/are bone records, Ribs, or audio on X-Ray?

During the Cold War era in the Soviet Union, it was forbidden by Joseph Stalin to have items from the West or listen to Western radio and songs that were forbidden by the Soviet Party. Only Georgian songs or Russian folk music was allowed.

Of course, in repressed times, people will find a way to get what they want and especially when something is forbidden. This is where it becomes really interesting.

The Soviet people found a way to make bootlegs of Western songs and music. First of all they had to find a wealthy person they could really trust and had contacts in the West, who could buy a Western record. The price for one single was the equivalent of one month of average salary!

When they obtained a hard copy of a single they first would go to a hospital and ask for X-rays. Sometimes they gave blood in exchange. The hospital could give the X-rays because at the end of every year, all the X-rays had to be destroyed because they were very flammable (like celluloid films).

 

"Poison Ivy League" carved into the X-ray plate

Once they had the X-rays, they had to copy the Western singles one at the time. They had a recorder which pressed the grooves on 78 rpm into the X-ray. The X-ray was just the right material for it. You see it in flexi-discs today. Using a cigarette they burned a hole in the middle so it fitted on the turntable. The name of the artist and title were usually carved into the record.

 

 

The person who recorded it, didn’t distribute or smuggle the bone records. To spread the risk of getting caught, they had someone else sell them on the streets and hangouts. A seller could easily carry 50 records because they were flexible. Once someone had bought a bone record they could listen to the music on their record player. Often the records would be exchanged among friends for a bottle of vodka.

If you got caught with a bone record or recording device, you found yourself with a one way ticket to the Gulag Prison for 7 years. Now that’s what I call a real bootleg!

Bone records, Ribs or audio on X-Ray in 2021

Those who are in the unique position of owning real Soviet era bone records, know that you don’t collect them for their audio quality.

I have six Soviet bone records and two of them have reasonably good sound, and the rest are listenable but of very poor sound quality. But that's not the magic of these records because it is better not to play them. Like an acetate, they wear down fast. The magic of owning a bone record is that you have something unique from the Soviet era. They are a real bootleg which was really highly illegal and therefore every bootleg has its own special story (although we will never know that story…).

You have a bone record bootleg with a X-ray of somebody who really existed in the Stalin, Khrushcev, Soviet era.

That makes it maybe a little bit macabre, but most of all you own a rare great and always a unique piece of cultural history from a very strange era.

 

My Elvis bone record collection contains the following:

  1. When my Blue Moon turns to gold again
  2. Hound Dog
  3. Do the Vega
  4. I'm gonna sit right down and cry over you
  5. Lover Doll
  6. Poison Ivy League

Some of them have really great Soviet covers!

 

Comment on this Article

 

Spotlight by Nigel Patterson /Ruben Beekmans.
-Copyright EIN September 2021
EIN Website content © Copyright the Elvis Information Network.
 

 

 


(Interview) Piotr Soczynski talks to EIN: While serious collectors will be familiar with Piotr Soczynski’s phenomenal work in documenting little known parts of the Elvis recording catalog, most fans will not. This is a great pity, as Piotr, who lives in Poland, has already published five of the best Elvis books in 2021, with two more volumes due later this year and in 2022. These books are:
Elvis Army Vinyl Records 1956-1967
★ Elvis Army Vinyl Records 1968-1991
★ Elvis U.S. Demo and Acetates 1953-1965
★ Elvis U.S. Demo and Acetates 1965-1993

Vinyl Discography from Eastern Europe, Part 1
Vinyl Discography from Eastern Europe, Part 2 (late 2021)
Vinyl Discography from Eastern Europe, Part 3 (expected 2022)
The first four volumes sold out quickly earlier this year, while the more recent first volume of Piotr’s Eastern Europe vinyl trilogy is selling fast. The depth of information, glorious visuals, and strong, clean book design have resulted in fascinating “coffee table” releases which will please (amaze) both collectors and the general fan. Piotr recently took time out to discuss Elvis in Poland and his series of books which are an important narrative-visual record of little understood Elvis vinyl releases.
Read Piotr’s full interview with Nigel Patterson and marvel at some great page visuals from the various volumes
(Interview, Source:ElvisInformationNetwork)

(Interview) Evangelos Proiou, President of the official Greek Elvis fan club talk to EIN: In the past year EIN has interviewed several Elvis fan club presidents from around the world (Jean-Marie Pouzenc - France and Carlos Ares – Argentina). 

In our latest interview, we talk with Evangelos Proiou. Evangelos, and his wife, Anna, have been running the Elvis Forever Fan Club of Greece for more than four decades.
Evangelos discusses a range of topics including Elvis’ most successful records and films in Greece, rare Greek releases, and promotion of Elvis in Greece.


Read Evangelos’ full interview

(Interview, Source:ElvisInformationNetwork)


(Interview) Carlos Ares talks to EIN: With his latest book, elvis@argentina 1963-1969 just published, Argentine Elvis world legend, Carlos Ares, took time out to talk to EIN’s Nigel Patterson about the book and other things Elvis.

In a wide ranging and fascinating interview, Carlos discusses how he first became an Elvis fan, his famed Elvis collection, how he moved from managing rock bands in South America to becoming an Elvis dealer (Elvis Shop Argentina) full-time, Argentinian Elvis records and  film posters, how the assassination of JFK affected popular music, the release of 'Elvis La Pelvis' and to make most of us jealous seeing Elvis live on stage, plus a lot more.

Read Nigel Patterson's interview with Carlos R Ares.

(Interview, Source:ElvisInfoNetwork)


Jean-Marie Pouzenc Interview: Jean-Marie Pouzenc is one of Europe's most well-known identities in the Elvis fan world. He is the founder and long-time president of the celebrated Elvis My Happiness fan club and publishes one of the best Elvis magazines in the world.
Jean-Marie has also written a number of acclaimed Elvis books including his latest coffee table release, Elvis Technicolor in Black & White.
In this fascinating interview Jean-Marie Pouzenc, now 77 years old, discusses...
- How and when he became an Elvis fan
- What changes he has noticed in the Elvis world since 1956
- Elvis' popularity in France
- His new publication 'Elvis Technicolor in Black & White'
- Elvis in Paris
. . . . and much, much more

Go here - EIN's Nigel Patterson ask the questions

(Interviews, Source;ElvisInformationNetwork)



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